「一陽連文房四友 筆 道風」『春雨集』 摺物帖|The Heian Court Calligrapher Ono no Tōfū (894–966); “Calligraphy Brush” (Fude), from Four Friends of the Writing Table for the Ichiyō Poetry Circle (Ichiyō-ren Bunbō shiyū)From the Spring Rain Collection (Harusame shū), vol. 1

「一陽連文房四友 筆 道風」『春雨集』 摺物帖|The Heian Court Calligrapher Ono no Tōfū (894–966); “Calligraphy Brush” (Fude), from Four Friends of the Writing Table for the Ichiyō Poetry Circle (Ichiyō-ren Bunbō shiyū)From the Spring Rain Collection (Harusame shū), vol. 1

Yashima Gakutei

1827

ink

From the collection of Metropolitan Museum of Art

About this work

This print shows a person from behind, dressed in a richly patterned robe with big circles and swirls. They’re sitting at a low wooden table, leaning over a piece of paper. On the table, there’s a brush holder with two brushes and a small black box—likely ink. The background has a simple landscape with green hills and clouds, and the whole scene is framed by a decorative border. The text around the edges is Japanese poetry, hinting this image ties to writing and culture. The brush and ink suggest the person is practicing calligraphy, a valued skill in traditional Japanese life. Look up brush, writing, calligraphy next to see how artists used these tools in daily life.

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