Provenance · Collection
George F. Harding
This catalog gathers 26 public-domain works assembled in the George F. Harding collection. Every work is held by Art Institute of Chicago.
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The Battle of Zama -
Rushing Red Lodges Passed through the Line -
Phaeton Driving the Chariot of Phoebus -
Paddling the Wounded British Officer -
Ceremony of the Fastest Horse -
The Mexican Major -
The Advance-Guard, or The Military Sacrifice (The Ambush) -
Landscape with Tournament and Hunters -
I Will Tell the White Man -
Slave Market -
Chariot Race -
Nothing But Cheerful Looks Followed the Bat -
The Roll Call of the Last Victims of the Terror -
Assumption of the Virgin -
Historians of the Tribe -
The Defense of Paris -
How the Horses Died for Their Country at Santiago -
The Expulsion of Adam and Eve from Paradise -
The Interpreter Waved at the Youth -
The Fire Eater Raised His Arms to the Thunder Bird -
First and Best Camp of the Trip -
Odalisque -
A Glimpse into Hell, or Fear -
Giafar -
Rip Van Winkle -
Battle Scene
On provenance & the public domain
A credit line — the small "Collection of…" note beside a work on a museum wall — records its provenance: how the object passed from a private hand into a public collection, whether as an outright gift, a bequest left in a will, the purchase from a named endowment, or an entire collection acquired at once. Because these works are in the public domain, anyone can study, share, and reproduce them freely. Browsing by provenance follows the human story behind a museum's holdings — the collectors and benefactors whose generosity put these works where the public can see them.
Every work in this catalog is in the public domain; images come from the museums that hold them.