Art Museum

Dia Beacon

Dia Beacon
Dia Beacon

Dia Beacon is an art museum in New York, United States.

About Dia Beacon

Dia Beacon is the museum for the Dia Art Foundation's collection of art from the 1960s to the present and is one of the 12 locations and sites they manage. The museum, which opened in 2003, is situated near the banks of the Hudson River in Beacon, New York. Dia Beacon's facility, the Riggio Galleries, is a former Nabisco box-printing facility that was renovated by Dia with artist Robert Irwin and architects Alan Koch, Lyn Rice, Galia Solomonoff, and Linda Taalman, then of OpenOffice.

Dia Beacon by the numbers

Founded
2003

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Dia Beacon

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Overview

Dia Beacon is the museum for the Dia Art Foundation's collection of art from the 1960s to the present, located in Beacon, New York, on the east bank of the Hudson River. Opened in 2003, it is one of twelve locations and sites managed by the foundation. The museum occupies a former Nabisco box-printing facility, the Riggio Galleries, which was renovated with artist Robert Irwin and architects from OpenOffice. With 160,000 square feet of exhibition space, it is one of the largest spaces in the United States for modern and contemporary art. Dia Beacon represents a pioneering example of converting industrial buildings for contemporary art installation, a practice now widely adopted internationally.

Founding & history

The museum building was constructed in 1929 by the National Biscuit Company as a carton making and printing plant. In 1999, International Paper donated the building to the Dia Art Foundation. The structure, recognized as representative of early twentieth-century industrial architecture, was added to the National Register of Historic Places. Dia collaborated with American artist Robert Irwin and the architectural firm OpenOffice, specifically architects Alan Koch, Lyn Rice, Galia Solomonoff, and Linda Taalman, to develop the renovation plan. The project received significant financial support from investors Louise and Leonard Riggio, after whom the galleries are named. Originally scheduled to open earlier, the museum finally opened in May 2003, approximately two years behind schedule. Initial projections estimated 50,000 to 100,000 visitors annually, but the museum attracted 100,000 visitors in its first six months alone. By May 2007, it had sold 350,000 tickets.

Collection scope

The permanent collection at Dia Beacon focuses primarily on minimalist and conceptual art from the 1960s to the 1990s. The museum's philosophy emphasizes single-artist, site-related presentations, with each gallery designed specifically for the art it contains. This approach creates ideal viewing conditions, particularly through the use of reflected north light from more than 34,000 square feet of skylights. The collection spans painting, sculpture, installation, and environmental works. In addition to its permanent holdings, Dia Beacon presents temporary exhibitions and public programs including monthly Gallery Talks, Merce Cunningham Dance Company events, Community Free Days for neighboring counties, and educational programs for area students at all levels.

Notable holdings

Signature works at Dia Beacon include Andy Warhol's 1978-79 multipart painting Shadows, displayed in a single installation measuring approximately 350 linear feet. The museum houses selections from Dan Flavin's series of fluorescent light Monuments to V. Tatlin (1964-81), Richard Serra's monumental steel sculptures Torqued Ellipses, and Michael Heizer's North, East, South, West (1967/2002). The painting galleries feature works by On Kawara, Agnes Martin, Blinky Palermo, and Robert Ryman, beneficiaries of the carefully controlled natural lighting. Other artists represented in the collection include Joseph Beuys, Louise Bourgeois, John Chamberlain, Hanne Darboven, Walter De Maria, Donald Judd, Imi arter, Louise Lawler, Sol LeWitt, Bruce Nauman, Max Neuhaus, Gerhard Richter, Fred Sandback, Robert Smithson, Cy Twombly, and Lawrence Weiner. The adjacent Long Dock Park on the Hudson River contains a site-specific environmental work by sculptor George Trakas, and the museum grounds feature an entrance court, parking lot with a grove of flowering fruit trees, and a formal garden, all designed by Robert Irwin.

Building & site

The Riggio Galleries occupy a building of approximately 27,000 square meters on thirty-one acres near the Hudson River, adjacent to ninety acres of riverfront parkland. The renovation preserved the industrial character of the 1929 Nabisco plant while adapting it for art presentation. Robert Irwin's design for the exterior setting includes the entrance court, parking lot with flowering fruit trees, and a formal garden. The building's extensive skylight system provides natural illumination throughout the galleries. The site is located near Beacon Point, where the Dia Art Foundation inaugurated an environmental art work by George Trakas in 2007.

Visiting

Dia Beacon is situated in Beacon, New York, approximately 90 kilometers north of New York City. The museum is accessible by train via Metro-North from Grand Central Terminal, with the station a five-minute walk from the museum, about 80 minutes by rail from the city. The museum draws approximately 100,000 visitors per year. It is owned and operated by the Dia Art Foundation, a nonprofit organization that manages twelve locations and sites. The museum serves as a major cultural institution in the Hudson Valley region, offering Community Free Days for neighboring counties and educational programming for students at all levels.

Museums near Dia Beacon

Artworks shown from Dia Beacon are in the public domain; images via the open-access programs of their source collections. Spotted an error in this record? Tell us.