Early 19th Century at the Metropolitan Museum of Art
2,593–2,628 of 2,931 works · most celebrated first
東海道五十三次 吉田 六月十五日天王祭|Yoshida
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鶏図衝立を見る鶏|Cock Eyeing a Free-standing Screen Painted with Cock, Hen, and Chicks, from Spring Rain Surimono Album (Harusame surimono-jō), vol. 1
魚づくし ひらめ めばるに桜|Hirame and Mebaru Fish with Cherry Blossoms, from the series Uozukushi (Every Variety of Fish)
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東都名所 二丁町芝居の図|Sakai Cho Shibai no Zu
東海道五十三次 藤川|Fujikawa
忠臣蔵三段目|Chushingura Act III
「傘一本足」|“One-Legged Umbrella Monster” (Kasa ippon ashi)
Ryogoku Yanagibashi (Kawachiya)|江戸高名会亭尽 両国柳橋 河内屋|Tea-house at the Willow Bridge
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東海道五十三次之内 品川 鮫洲朝之景|Shinagawa Samesu Asa no Kei
「浪花天保山風景」|“View of Mount Tenpō in Osaka” (Naniwa Tempōzan fukei)
娘道成寺図の錦絵|Print of a Kabuki Dancer from the Maiden of the Dōjōji Temple (Musume Dōjōji)
江都名所 飛鳥山はな見|Asukayama Hanami
Kameido Tenmangu keidai no yuki|東都名所 亀戸天満宮境内雪|Tenmangū Shrine at Kameido in Snow
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春梅斎北英画 二代目嵐璃寛 『当世化粧鏡』|Kabuki Actor Arashi Rikan II as Akogi Heiji, from the print series Tōsei keshōkagami (Makeup Mirrors of Our Time)
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当世好男子伝」松 「花和尚魯智深に比す朝比奈藤兵衛」|The Actor Nakamura Fukusuke I as Asahina Tōbei, likened to Lu Zhishen the Tattooed Priest (Kaoshō Rochishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)
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Kara kan shōbu no zu|Two Chinese Scholars Practicing Calligraphy in Their Studio
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東海道五十三次 箱根 夜中松明とり|Hakone
江戸高名会亭尽 王子 扇屋|The Ōgiya at Ōji
『名物革仝印籠仝根付』 人形手金唐革 菖蒲革『春雨集』 摺物帖|“Gold-decorated Leather with Figure of a Chinese Boy” and “Patterned Leather,” from the series Famous Leathers, Inrō, and Netsuke Meibutsu kawa, inrō, netsuke)From the Spring Rain Collection (Harusame shū), vol. 2
Furansukoku|仏蘭西国|France
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「一陽連文房四友 紙 女凢」『春雨集』 摺物帖 |Nuji (Japanese: Joki; female attendant who compiled writings by Daoist sages); “Paper” (Kami), from Four Friends of the Writing Table for the Ichiyō Poetry Circle (Ichiyō-ren Bunbō shiyū)From the Spring Rain Collection (Harusame shū), vol. 1
東海道五十三次 由井|Yui
江戸高名会亭尽 隅田川橋場渡之図 柳屋|Sumidagawa Hashiba Watashi Zu (Yanagiya)