Art Museum
Musée archéologique de Brumath

Image: Wikimedia Commons.
Musée archéologique de Brumath is an art museum in Brumath, France.
About Musée archéologique de Brumath
The Musée archéologique is an archaeological museum in Brumath in the Bas-Rhin department of France. It displays findings of prehistoric, Celtic and Roman origin made in and around this very old city.
The museum's opening hours, only a few hours a year since at least the early 1970s, have drawn criticism in the regional archeology press.
Founding & history
The museum's origins trace back to 1964, when Roman pottery was discovered during construction at 30 rue des Romains in Brumath. An informal group of archaeology enthusiasts formed, and through loans from private individuals, a first exhibition titled "Le passé de Brumath" (from the Neolithic to the 19th century) was held at the town hall in 1966, followed by a publication, Brumath, destin d'une ville, in 1968. That same year, foundations of Roman baths were uncovered on rue du Général Rampont (subsequently renamed "rue des Thermes"), prompting the Service des Antiquités historiques to undertake formal excavations with municipal and owner consent. The newly formed Société d'histoire et d'archéologie de Brumath (SHAB) mobilized members, amateurs, and regional students to uncover second-century public bath foundations with hypocaust heating.
Further discoveries followed between 1968 and 1970 during sewer network installation, yielding Roman ceramics, sculptures, and bronzes. Expansion of the initial housing development also revealed a Roman potters' quarter along the important road to Mainz via Seltz. Seeking permanent quarters, SHAB secured space in the basement of the Protestant church, installed since 1804 in the former Château des Hanau-Lichtenberg. After three years of work, the museum opened to the public on 6 March 1971.
Between 1970 and 1975, SHAB presented three historical exhibitions in the town hall's grand hall: on hemp cultivation and processing (1972), popular imagery of the 18th and 19th centuries (1973), and the tile-making craft (1975). In 1979, the Protestant parish decided to develop a parish hall in the basement, incorporating the museum into a broader renovation project that brought the exhibition space up to current standards. The 30-square-meter gallery was expanded, display cases were installed, and pieces were labeled and described. The renovated museum was inaugurated on 8 April 1983 under a symbolic one-franc lease for nine years, tacitly renewable. That same year, SHAB became the Société d'Histoire et d'Archéologie de Brumath et environs (SHABE) and launched a scholarly journal.
Earlier collecting in Brumath dated to the 18th century, when historian Jean-Daniel Schoepflin assembled archaeological objects alongside his notable library, including sculptures discovered at Brumath and a milestone bearing the name of Emperor Valerian. Most of this collection, housed in the Strasbourg municipal library, was destroyed by Prussian shelling in 1870, though inventories preserve its memory. In the 19th century, researchers turned to tumulus necropolises; Maximilien de Ring published Les tombes celtiques de la forêt de Brumath in 1858 after systematic explorations begun in 1857. Physician Louis Schnoeringer, who established his practice in Brumath in 1849, also assembled a significant personal collection later acquired by industrialist Frédéric Engel-Dollfus and now held at the Musée historique de Mulhouse revived in 1849. Twentieth-century investigations included a 1923 tumulus excavation and naturalist Henri Ulrich's 1939 terrace explorations, interrupted by World War II.
Collection scope
The museum's collections encompass material from the Neolithic, Bronze Age, and especially the Gallo-Roman period, when the settlement of Brocomagus flourished. The holdings reflect both systematic excavations and chance discoveries spanning more than two centuries of archaeological interest in the region. Prehistoric and protohistoric materials include evidence from tumulus necropolises investigated since the early 19th century. The Gallo-Roman collections are particularly strong, deriving from the urban center of Brocomagus, which served as the capital of the Gallic tribe of the Triboci and later developed as a Roman thermal establishment. The museum displays ceramics from the Roman potters' quarter, sculptures, bronzes, and architectural elements including bath foundations with hypocaust systems. The collection also preserves evidence of local industrial and craft traditions, including decorated tiles produced in Brumath.
Notable holdings
Specific notable objects documented in the museum's history include a milestone bearing the name of Emperor Valerian, recorded in Jean-Daniel Schoepflin's 18th-century collection though since destroyed. Inventories also note a representation of a bearded male deity dedicated to Eruma, discovered in house foundations at Brumath. From the 1968-1970 excavations, the museum holds ceramics, sculptures, and bronzes from the Roman sewer network installation and potters' quarter discoveries. The bath foundations with hypocaust heating, uncovered on what became rue des Thermes, represent significant architectural remains of the second-century public baths. The museum also preserves decorated Bieberschwanz (beaver-tail) tiles, including examples shaped during public demonstrations by one of the last local artisans practicing this traditional form.
Visiting
The Musée archéologique de Brumath operates on a restricted access basis, managed by volunteer staff. Visitors must arrange appointments in advance, and the museum opens to the public only on specific afternoon dates: Easter Monday, 1 May, 8 May, Pentecost Monday, the first and third Sundays of July, the first and third Sundays of August, the third Sunday of September, and during the Journées du Patrimoine and Journées de l'archéologie. This severely limited schedule, amounting to only a few hours annually since at least the early 1970s, has been a persistent source of criticism in regional archaeological publications. The museum is owned and operated in association with the municipal authorities and the Protestant parish, with SHABE continuing to animate the institution through volunteer labor.