Art Museum

Museo civico

Museo civico
Museo civico

Museo civico is an art museum in Viterbo, Italy.

About Museo civico

Museo Civico di Viterbo (Italian for Civic Museum of Viterbo) is an archeologic and art museum located on Piazza Francesco Crispi #13 in Viterbo, region of Lazio, Italy. The museum is housed in the former 12th-century convent adjacent to the church of Santa Maria della Verità in the center of town.

Museo civico by the numbers

Founded
1955
Visitors / year
1,666
Collection
1,000 objects

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Museo civico

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Overview

The Museo Civico di Viterbo is an archaeological and art museum located at Piazza Francesco Crispi 13 in Viterbo, the principal city of northern Lazio, Southern Etruria. Founded in 1955, it occupies a former 12th-century convent adjacent to the church of Santa Maria della Verità in the historic center of town. Since 2011 the institution has borne the dedication to Luigi Rossi Danielli, a local architect and archaeologist whose 1912 donation of antiquities formed a cornerstone of the collection. The museum integrates Etruscan and Roman archaeological holdings with a pinacoteca spanning the 12th to 19th centuries, making it a significant repository for understanding the material culture of the Viterbo region from antiquity through the early modern period.

Founding & history

The museum was established in 1955 within the ex-convent of the 12th century, a building tied to the adjacent church of Santa Maria della Verità. The institution's development was substantially shaped by the 1912 bequest of Luigi Rossi Danielli, a Viterbo-born architect and archaeologist who donated to his native city a substantial collection of materials from sites including Musarna, Ferento, and San Giuliano. This donation predated the museum's formal founding by over four decades but became foundational to its archaeological holdings. On 23 May 2011, the museum was officially dedicated to Rossi Danielli in recognition of his contribution. The pinacoteca, or art gallery, incorporated into the museum on the first floor, had earlier origins: it was established in the 19th century and contains works expropriated from the Church under legislation applied between 1870 and 1874, reflecting the broader Italian state policy of consolidating ecclesiastical property following unification.

Collection scope

The museum's collections are organized across three floors and encompass two principal domains: archaeology and painting. The archaeological collections cover Etruscan and Roman civilizations, with materials ranging from Iron Age and Orientalizing period grave goods through Republican and Imperial Roman artifacts. The pinacoteca presents a chronological survey of painting and sculpture from the 12th to the 19th century, with particular strengths in Renaissance and Baroque works. The museum also preserves objects of local historical interest, including 18th-century preparatory drawings and 17th-century copies of lost frescoes. A notable specialized holding comprises three archaeological forgeries fabricated by the Dominican scholar Annio da Viterbo, buried near the papal summer residence and excavated in the presence of Pope Alexander VI Borgia as part of his elaborate scholarly deception.

Notable holdings

The ground floor and cloister display Etruscan sarcophagi from the 4th to 3rd centuries BCE, including examples from Musarna, Cipollaretta, Norchia, and Castel d'Asso, alongside terracotta sarcophagi from the Etruscan town of Surina and the ancient Sarcophagus of Bella Galiana. The Rossi Danielli collection, comprising approximately one thousand objects, spans from the Iron Age to the Roman period and is displayed across multiple rooms, with the fifth room dedicated to Roman-era finds from Ferento.

The first-floor pinacoteca contains two significant paintings by Sebastiano del Piombo: the Pietà of 1516-1517, noted for its somber dramatic intensity, and the Flagellation of 1524. The collection also includes two polychrome terracotta sculptures from the workshop of Andrea della Robbia, and works by Cesare Nebbia, Aurelio Lomi, Salvator Rosa, and Pietro da Cortona. A major altarpiece is the Nativity of 1488 by Antonio del Massaro, called il Pastura, a painter trained under Pinturicchio persuaded by Perugino, distinguished by its large scale and sophisticated perspectival solutions.

The second floor holds fifty-six 18th-century preparatory sketches for the Macchina di Santa Rosa, 17th-century copies of lost frescoes by Benozzo Gozzoli depicting the life of Santa Rosa da Viterbo, pharmaceutical vessels from the 17th-18th centuries, and a numismatic collection.

Building & site

The museum is housed in a former 12th-century convent directly adjoining the church of Santa Maria della Verità, situated on Piazza Francesco Crispi in the center of Viterbo. The architectural complex centers on a cloister, around which the Etruscan sarcophagi are displayed, creating a dialogue between the medieval monastic structure and the ancient materials it now contains. The three-floor arrangement allows for a progressive chronological and thematic experience, from archaeology on the ground floor through painting on the first floor to historical and local collections on the second. The integration of the historic convent building with the museum's exhibition program reflects a common Italian model of adaptive reuse of religious architecture for civic cultural purposes.

Visiting

The Museo Civico di Viterbo is located at Piazza Francesco Crispi 13, in the historic center of Viterbo, region of Lazio, Italy. As a civic museum, it operates under municipal ownership and serves as a primary public institution for the presentation of the city's archaeological and artistic heritage. The museum's role extends beyond display to encompass the preservation and study of materials from the broader Viterbo region, including significant Etruscan sites such as Norchia, Castel d'Asso, and Musarna. Its collections are accessible to the public through the three-floor exhibition route, which integrates the archaeological and pinacoteca holdings into a single institutional visit. The museum's online presence is documented through regional and local tourism portals, including the former provincial website and Tusciaweb.

Museums near Museo civico

Artworks shown from Museo civico are in the public domain; images via the open-access programs of their source collections. Spotted an error in this record? Tell us.