Art Museum

New Archaeological Museum of Ugento

New Archaeological Museum of Ugento
New Archaeological Museum of Ugento

New Archaeological Museum of Ugento is an art museum in Ugento, Italy.

About New Archaeological Museum of Ugento

The New Archaeological Museum is an Italian civic museum set up in the former convent of Santa Maria della Pietà of the Observant Friars Minor, in Ugento in the province of Lecce.

New Archaeological Museum of Ugento by the numbers

Collection
1,500 objects

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New Archaeological Museum of Ugento

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Overview

The New Archaeological Museum of Ugento is an Italian civic museum located in Ugento, a town in the province of Lecce in the Apulia region of southern Italy. Housed in the former convent of Santa Maria della Pietà of the Observant Friars Minor, the museum preserves and displays archaeological finds spanning from Prehistory to the Middle Ages. Its significance lies in its exceptional holdings of Magna Graecia material, including the celebrated bronze statue of Zeus discovered near Ugento in 1961, as well as its integration of archaeological collections within a historic Franciscan complex whose architectural and painted heritage has been progressively revealed through restoration.

Founding & history

The museum occupies a convent probably built in the 15th century by the architect Francesco Colaci da Surbo. The structure functioned as a place of prayer and worship until 1866, when following Italian unification and the suppression of religious congregations under royal decree 3036, the monastery passed to state property and served as a barracks for the Carabinieri. Subsequently the premises were converted into classrooms and municipal offices. The accidental discovery of the bronze Zeus statue in 1961 prompted a change in purpose, and in 1968 the Civic Museum of Archaeology and Paleontology was founded. Extensive restoration works were carried out over subsequent decades and concluded in 2009, at which point the institution assumed its present name, the New Archaeological Museum.

Collection scope

The museum is arranged across two floors and presents finds from Prehistory through the Middle Ages, supported by educational panels. The ground floor features two of the most remarkable discoveries made since the 1960s: the Tomb of the Athlete, found in 1970 on via Salentina, and a reproduction of the bronze Zeus, the original having been discovered in 1961 on via Fabio Pittore in Ugento and now kept in the National Archaeological Museum of Taranto. The first floor contains the Antiquarium, preserving all finds from the earlier exhibition, together with rooms devoted to the necropolis of Ugento and the walls of the ancient city. Additional galleries are dedicated to the indigenous cults of Messapia, displaying objects related to local religious practices.

Notable holdings

The most celebrated holding associated with the museum is the bronze statue of Zeus, a masterpiece of Magna Graecia bronze work discovered by chance in Ugento in 1961. The original is housed in the National Archaeological Museum of Taranto, while the museum displays a reproduction. Another significant find is the Tomb of the Athlete, discovered in 1970 on via Salentina, which ranks among the most exceptional archaeological discoveries in the region since the 1960s. The first-floor galleries also present material from the necropolis and fortifications of ancient Ugento, as well as objects illuminating the indigenous cults of Messapia.

Building & site

The architectural structure is austere, consistent with the Franciscan model of life. The essential convent plan comprises a central cloister surrounded by the refectory and service rooms, small cells, and a first-floor library that was decorated in the 18th century and designated the Hall of the Prior. Attached to the convent is the church of Santa Maria della Pietà, which after donation to the Congregation of Our Lady of Sorrows was dedicated to Saint Anthony of Padua. In the first half of the 17th century the church was altered: a side wall was built to reduce its size, creating a cavity between cloister and church that completely concealed the painted cycle of the side chapels. These walled chapels, now opened to the right of the old main entrance near the church, can be visited.

The four 16th-century chapels contain significant frescoes. The first chapel depicts the Madonna of Constantinople enthroned between Saint Bonaventure and Saint Francis of Paola, dated 1598, with the medical saints Cosmas and Damian at center. The second chapel features the Madonna of the Milk, below which a fleet of galleys references the naval Battle of Lepanto in 1571; an inscription names the patron Donna Aurelia Perreca. The third chapel is dedicated to the Annunciation, and the fourth to the Crucifixion.

In the cloister portico, three 18th-century frescoes dated 1775 depict miracles of Saint Anthony of Padua, including the Miracle of the Mule and the meeting with Ezzelino III da Romano; the patron was Saverio Pisanello. The refectory contains an 18th-century Last Supper with the Immaculate Conception above, alongside a 16th-century monochrome Genesis cycle. The Hall of the Prior preserves early 18th-century frescoes with the arms of Franciscan bishop Lazaro y Terrez and Franciscan saints.

Visiting

The New Archaeological Museum of Ugento is located in the historic center of Ugento, province of Lecce, in the Apulia region of southeastern Italy. It is a civic museum under municipal administration, accessible via the website of the Comune di Ugento. The museum occupies the former convent of Santa Maria della Pietà and is open to visitors, who can tour not only the archaeological collections across two floors but also the recovered side chapels with their 16th-century frescoes, the cloister portico with 18th-century frescoes, the refectory, and the Hall of the Prior. The comprehensive restoration completed in 2009 has made accessible architectural and painted elements that were long concealed or altered, integrating the museum experience with the layered history of the Franciscan complex.

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Artworks shown from New Archaeological Museum of Ugento are in the public domain; images via the open-access programs of their source collections. Spotted an error in this record? Tell us.