Kim Jeong-hui

Kim Jeong-hui carved Sehando, a calligraphic landscape print, in 1844 during the Joseon dynasty. The work blends fine brushwork with bold inky strokes to capture pine-clad peaks and a scholar’s retreat under mist. These prints were exchanged among officials as gifts, so collectors often find faint ink seals in the margins from past owners.

See how the artist framed the scene with empty space to suggest silence and stillness, then tap into Sehando’s wider tradition of scholarly ink painting.