Plan and Elevation of the Church of the Madonna's Sepulchre
1619
ink
paper
From the collection of National Gallery of Art
1619
ink
paper
From the collection of National Gallery of Art
Dominant colour
Plan and Elevation of the Church of the Madonna's Sepulchre is a 1619 ink by Jacques Callot, a Baroque work, held at National Gallery of Art.
This drawing shows a church floor plan and side view. The lines are precise, with labeled sections like altars, chapels, and doors. Some parts overlap, and the shapes look simple but detailed, like a blueprint. The text at the top is in Italian and names parts of the church, like "Sepolcro della Madonna" (Madonna’s Sepulchre). The artist used lines to show depth and layers, almost like a puzzle. Next, look up etching to see how artists like Callot made these sharp, detailed prints.
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.
See the richer artist page