Plan and Part of the Elevation of the Church of the Holy Sepulchre of the Madonna
1619
ink
paper
From the collection of National Gallery of Art
1619
ink
paper
From the collection of National Gallery of Art
Dominant colour
Plan and Part of the Elevation of the Church of the Holy Sepulchre of the Madonna is a 1619 ink by Jacques Callot, a Baroque work, held at National Gallery of Art.
This drawing shows a floor plan of a church with labeled rooms and a small cross-section view of its interior. You can see stairs, altars marked with letters, and a main entrance. The lines are precise, and the shading adds depth to the walls and steps. The labels in Italian describe different chapels and burial spots, like the "Sepolcro della Madonna." This kind of detailed plan was common for important buildings. Next, look up etching to see how artists like Callot made prints like this.
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.
See the richer artist page