St. Germanus of Paris; St. Maximinus; St. Emmelia; St. Petronilla
1634
ink
paper
From the collection of National Gallery of Art
1634
ink
paper
From the collection of National Gallery of Art
Dominant colour
St. Germanus of Paris; St. Maximinus; St. Emmelia; St. Petronilla is a 1634 ink by Jacques Callot, a Baroque work, depicting Engraving Proces, held at National Gallery of Art.
This etching shows four saints standing stiffly side by side. Their long robes and halos look crisp against a plain background. The lines are sharp and clean. Jacques Callot used etching to carve the image into metal. He scratched fine lines into a metal plate, then filled them with ink to print this sheet. The technique lets him control every detail. Try etching yourself—look up Jacques Callot to see how he did it.
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.
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