Who painted St. Sulpicius; St. Aldegondes; St. Sabina; The Calling of St. Mark?

St. Sulpicius; St. Aldegondes; St. Sabina; The Calling of St. Mark was painted by Jacques Callot in 1634.

Where can I see St. Sulpicius; St. Aldegondes; St. Sabina; The Calling of St. Mark?

St. Sulpicius; St. Aldegondes; St. Sabina; The Calling of St. Mark is held by National Gallery of Art.

What movement is St. Sulpicius; St. Aldegondes; St. Sabina; The Calling of St. Mark?

St. Sulpicius; St. Aldegondes; St. Sabina; The Calling of St. Mark is associated with Baroque.

Can I buy a print of St. Sulpicius; St. Aldegondes; St. Sabina; The Calling of St. Mark?

Museum-quality prints of St. Sulpicius; St. Aldegondes; St. Sabina; The Calling of St. Mark are available made-to-order from Artifact World Gallery.

Artwork

St. Sulpicius; St. Aldegondes; St. Sabina; The Calling of St. Mark

Jacques Callot , 1634

St. Sulpicius; St. Aldegondes; St. Sabina; The Calling of St. Mark is an ink print by the Baroque artist Jacques Callot. It dates from 1634 and is held in the collection of the National Gallery of Art.

About this work

Overview

This set of four etchings on laid paper, created by Jacques Callot around 1634, presents religious scenes within oval frames, showcasing the artist's versatility in depicting sacred subjects.

Subject & Meaning

The etchings illustrate various Christian saints and a biblical event: St. Sulpicius amidst a group, St. Aldegondes with a palm branch, St. Sabina kneeling by a tomb, and The Calling of St. Mark outside a domed building. These works reflect Callot's exploration of religious themes alongside his secular subjects.

Technique & Style

Callot employed etching to achieve fine lines and detailed textures, evident in the rendering of fabrics and stone. This technical skill was characteristic of his prolific printmaking output.

History & Provenance

Created in the Duchy of Lorraine circa 1634, this work is part of Callot's extensive oeuvre of over 1,400 etchings, documenting the religious and everyday life of his time.

Context

Part of a series focusing on saints, these etchings situate Callot within the Baroque tradition of religious art, while his broader work encompassed military and landscape themes, reflecting the era's diverse artistic interests.

Legacy

These etchings contribute to Callot's legacy as a master printmaker, highlighting his ability to balance detailed craftsmanship with thematic breadth, influencing subsequent generations of artists.

St. Victor; St. Justinus; Sts. Tiburtius and Valerianus; Sts. Basilissa and Anastasia, Jacques Callot

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Artist & collection

Artist

Jacques Callot

Jacques Callot (French: ; c. 1592 – 1635) was a baroque printmaker and draftsman from the Duchy of Lorraine. He is an important person in the development of the old master print. He made more than 1,400 etchings that…