Artwork
Virgin and Child with Saint Jerome and Saint Catherine of Alexandria

Virgin and Child with Saint Jerome and Saint Catherine of Alexandria is an unspecified painting by the Early Renaissance artist Carolino da Viterbo. It dates from 1450 and is held in the collection of the Cleveland Museum of Art.
About this work
History & Provenance
The panel Virgin and Child with Saint Jerome and Saint Catherine of Alexandria is attributed to the Italian painter Carolino da Viterbo and dated to circa 1450.
The panel Virgin and Child with Saint Jerome and Saint Catherine of Alexandria is attributed to the Italian painter Carolino da Viterbo and dated to circa 1450. The work entered the Cleveland Museum of Art as accession number 1956.719, where it remains in the permanent collection. There is no documentary record in the cited sources linking the painting to a specific commission or early ownership history before its acquisition by the museum.
The painting Virgin and Child with Saint Jerome and Saint Catherine of Alexandria by Carolino da Viterbo is held in the permanent collection of the Cleveland Museum of Art in Cleveland. The work, dated to 1450, is cataloged under the accession number 1956.719. While the provided sources confirm the artwork's current location and inventory identification, they do not contain specific details regarding a chronological exhibition history or past loan records for this piece.
Overview
Carolino da Viterbo created the religious painting "Virgin and Child with Saint Jerome and Saint Catherine of Alexandria" around 1450. This panel features the Virgin Mary and the infant Jesus, accompanied by two prominent saints. The artwork serves as a devotional piece from the mid-15th century and is part of the collection at The Cleveland Museum of Art.
Subject & Meaning
The composition centers on the Virgin Mary, depicted in a dark robe and white head covering, tenderly holding the Christ Child, who is dressed in a golden garment. Flanking them are Saint Jerome, identifiable by his long grey beard and red cardinal's robes, and Saint Catherine of Alexandria, distinguished by her golden crown. This harmonious arrangement places the sacred figures at the heart of a scene designed for spiritual reflection.
Technique & Style
Da Viterbo utilized a rich color scheme, with prominent gold and red hues, to evoke a sense of reverence and opulence. The figures are positioned before an elaborate gold arch, which is intricately decorated with patterns and text, framing the serene scene. This visual richness, coupled with the balanced arrangement, contributes to an overall atmosphere of quiet devotion and spiritual contemplation.
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