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Charlecote Mill, Hampton Lucy, Warwickshire, by Donald H. Edwards, watercolor, 1942

Charlecote Mill, Hampton Lucy, Warwickshire

Donald H. Edwards

1942

watercolor

From the collection of Victoria and Albert Museum

Dominant colour

Overview

Charlecote Mill, Hampton Lucy, Warwickshire is a 1942 watercolor by Donald H. Edwards, held at Victoria and Albert Museum.

Who painted this?
Donald H. Edwards
When & what style?
1942
Where can I see it?
Victoria and Albert Museum

About this work

The painting depicts a serene scene of a mill, with a large building in the background and a smaller structure in the foreground. The mill is surrounded by trees and a body of water, with a few people standing on the bridge. The colors used are muted, with shades of brown and grey dominating the palette. In the foreground, the water is depicted in gentle ripples, with a few swans swimming in the distance. The trees surrounding the mill are lush and green, adding a touch of vibrancy to the otherwise subdued color scheme. The painting is a beautiful representation of a peaceful rural scene, inviting the viewer to step into the tranquil world of the mill. If you're interested in learning more about the artist's technique, you can explore the use of chiaroscuro, impasto, and sfumato in his work.

The story of this work

Overview

A watercolour by Donald H. Edwards from 1942 depicts Charlecote Mill in Hampton Lucy, Warwickshire, showing the terracotta-coloured watermill beside a wind-ruffled mill pond. This work was created as part of the 'Recording Britain' project, a wartime initiative funded by the Pilgrim Trust to document Britain’s landscape and heritage during the early 1940s. The scheme, led by Sir Kenneth Clark, aimed to preserve scenes threatened by war damage, urban expansion, and changing rural life, employing artists to capture buildings, industries, and landscapes across England. The resulting collection…

Read the full account in the museum source.

About the artist

Artist

Donald H. Edwards

British watercolours from the 1940s often captured quiet corners of the countryside.

See the richer artist page
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