Juliette Récamier (1777-1849)

The portrait of Juliette Récamier was commissioned by the subject herself and painted in 1800 by Eulalie Morin in Nantes, France. Morin, a recognized female artist, created the work while associated with the School of France. The painting entered the collection of the Palace of Versailles, where it remains on display as part of the museum's holdings.

It was later included in the exhibition 'Peintres femmes, 1780-1830. Naissance d'un combat', highlighting its significance in the context of 18th- and 19th-century female artists.

The portrait is held in the collection of the Palace of Versailles, specifically within the National Museum of the Châteaux of Versailles and Trianon. It is registered under the inventory number MV 5344.

The work was included in the exhibition "Peintres femmes, 1780-1830. Naissance d'un combat," which highlighted female painters active between 1780 and 1830.

The portrait of Juliette Récamier by Eulalie Morin was painted in 1800 and depicts the famed French socialite within a neoclassical setting that blends personal intimacy with republican symbolism. The work was first shown at the exhibition Peintres femmes, 1780-1830. Naissance d'un combat and is now part of the collection at the Palace of Versailles, where it remains on view in the Musée national des châteaux de Versailles et de Trianon.

Scholarship on Morin emphasizes her role as a pioneering female artist in the late 18th‑century French portrait tradition, situating her production within the broader discourse on women’s artistic participation during the Revolution and the Directory.

The portrait of Juliette Récamier has maintained enduring scholarly and curatorial attention as a key example of neoclassical portraiture by women artists, particularly noted for its compositional influence on later depictions of aristocratic subjects. Its presence in the collections of the Palace of Versailles and its inclusion in major exhibitions such as Peintres femmes, 1780-1830 underscore its recognized significance within French art history. The work continues to be referenced in studies of 19th-century salon culture and the evolving role of women in artistic production, reflecting its lasting impact on both museum practice and art historical discourse.

Eulalie Morin’s 1800 oil portrait presents Juliette Récamier, a prominent French socialite of the early nineteenth century. The work is part of the collection at the Palace of Versailles and measures the conventions of portraiture of its era, balancing a calm domestic setting with a hint of landscape beyond.