1850
watercolor
From the collection of Victoria and Albert Museum
Dominant colour
Scene at Macao is a 1850 watercolor by George Chinnery, a Orientalism work, depicting Jingdezhen Kiln, held at Victoria and Albert Museum.
This painting shows a scene with a building in the background and a person with an animal in the foreground. The building has a wall in front of it, and the person is sitting on the ground with the animal next to them. The painting is done in watercolor, which gives it a soft look. The colors are muted, with shades of gray and brown dominating the scene. The brushstrokes are visible, adding texture to the painting. The artist, George Chinnery, was known for his landscapes and portraits. This painting is a good example of his work, showcasing his attention to detail and his ability to capture the essence of a scene. If you're interested in learning more about Chinnery's technique, you might want to look into chiaroscuro.
A scene at Macao is depicted in a work by George Chinnery from 1850, rendered in pen and watercolour on white china paper, which has been tipped onto a card, with the sheet’s corners cut.
Read the full account in the museum source.
George Chinnery (Chinese: 錢納利; 5 January 1774 – 30 May 1852) was an English painter who spent most of his life in Asia, especially India and southern China.
See the richer artist pageYour cart is empty
Explore artworks →
