Who painted Phaeton Asking for the Chariot?

Phaeton Asking for the Chariot was painted by Hendrick Goltzius in 1590.

Where can I see Phaeton Asking for the Chariot?

Phaeton Asking for the Chariot is held by National Gallery of Art.

What movement is Phaeton Asking for the Chariot?

Phaeton Asking for the Chariot is associated with Renaissance.

Can I buy a print of Phaeton Asking for the Chariot?

Museum-quality prints of Phaeton Asking for the Chariot are available made-to-order from Artifact World Gallery.

Artwork

Phaeton Asking for the Chariot

Hendrick Goltzius , 1590

Phaeton Asking for the Chariot is an ink print by the Renaissance artist Hendrick Goltzius. It dates from 1590 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:across lower edge of plate: Secta petit Phaeton Eois fulta columnis / Tecta, patris Solis regna beata sui / Indici imq rogat malesuadus stemmatis ardor / Nescuis heu fabricet quanta pericla sibi / F. Estius; in plate, lower right: HG excud

About this work

Goltzius carved this in 1590 using engraving, a technique where a metal plate is cut with fine lines to hold ink.

Hendrick Goltzius shows a young man, Phaeton, begging his father, the sun god, for the sun chariot. The scene is packed with dramatic poses and strong, twisting bodies. Goltzius carved this in 1590 using engraving, a technique where a metal plate is cut with fine lines to hold ink.

This engraving stands out for its drama and deep shadows. The muscles look almost alive under the careful lines. Goltzius studied earlier artists like Michelangelo for these lifelike figures.

Want to see more like this? Find prints by Goltzius, Hendrick.

Overview

Hendrick Goltzius’s 1590 engraving presents a mythological tableau in which the youthful Phaëton implores his divine father for control of the sun‑chariot. Set against a backdrop of classical columns and arches, the composition is densely populated with twisting, muscular bodies that convey a heightened sense of movement and tension.

Subject & Meaning

The work visualizes the moment from Ovid’s Metamorphoses when Phaëton, eager to prove his lineage, begs Helios for the reins of the celestial vehicle. The surrounding figures, their gestures and expressions, underscore themes of ambition, filial pleading, and the peril inherent in overreaching one’s mortal limits.

Technique & Style

Executed through fine‑line engraving on laid paper, Goltzius incised the copper plate with meticulous hatching to render deep chiaroscuro and intricate musculature. The artist’s handling of line reflects a strong influence from Michelangelo’s anatomical studies, while the dramatic poses and crowded spatial arrangement echo the dynamism of late‑Renaissance printmaking.

History & Provenance

Created in the late sixteenth century, the print was part of Goltzius’s broader engagement with classical mythology and his reputation for technical virtuosity. Original impressions circulated among collectors of the Dutch Republic, and the work has since been documented in several major museum collections, attesting to its continued scholarly interest.

The Giants Climbing the Heavens, Hendrick Goltzius

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Artist & collection

Artist

Hendrick Goltzius

Hendrick Goltzius (German: , Dutch: ; né Goltz; January or February 1558 – 1 January 1617) was a German-born Dutch printmaker, draftsman, and painter.