Artwork

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album, by Hashim, unspecified, 1650
Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album, by Hashim, unspecified, 1650

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album is an unspecified painting by the Baroque artist Hashim. It dates from 1650 and is held in the collection of the Cleveland Museum of Art. The miniature is a page from a royal album compiled for Emperor Shah Jahan near the close of his reign.

Accession no.
2013.328
Credit line
Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection

About this work

Overview

The miniature is a page from a royal album compiled for Emperor Shah Jahan near the close of his reign. It portrays the emperor seated in a richly dyed red garment, holding a deep‑red spinel and a curved Deccan sword, while a lion rests beside a lamb at his feet.

Subject & Meaning

Angelic figures hover above the turban’s crest, and a sun‑moon halo crowns the emperor’s head, linking his authority to celestial approval. The lion‑and‑lamb pairing below symbolizes the ruler’s capacity to combine strength with benevolence, a visual formula reserved for imperial portraits in this album.

Technique & Style

Mughal court painters achieved a high degree of refinement in this work, rendering the feathered turban plume, the sparkle of each jewel, the softness of the beard, and the translucency of the muslin robe with meticulous brushwork. The composition balances delicate detail with a formal, symmetrical layout typical of Shah Jahan’s court.

History & Provenance

The album was assembled for Shah Jahan himself, reflecting his personal taste for lavish visual documentation of his reign. The inclusion of specific iconography, angels, celestial bodies, and predator‑prey motifs, marks the piece as part of a limited series of imperial portraits produced in the mid‑17th century.

Context

During Shah Jahan’s rule, Mughal painting reached a zenith of courtly sophistication, emphasizing both aesthetic elegance and political symbolism. The spinel held by the emperor was valued for its supposed protective powers in battle, underscoring the intertwining of material wealth and martial confidence.

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album
Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album, Hashim

Artist & collection

Artist

Hashim

Hashim is a common male Arabic given name.

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Who painted Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album?

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album was painted by Hashim in 1650.

Where can I see Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album?

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album is held by Cleveland Museum of Art.

What movement is Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album?

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album is associated with Baroque.