Where can I see Retrato mortuorio del obispo de Narciso Martínez Izquierdo?

Retrato mortuorio del obispo de Narciso Martínez Izquierdo is held by Museo del Prado.

What movement is Retrato mortuorio del obispo de Narciso Martínez Izquierdo?

Retrato mortuorio del obispo de Narciso Martínez Izquierdo is associated with Post-Impressionism.

Can I buy a print of Retrato mortuorio del obispo de Narciso Martínez Izquierdo?

Museum-quality prints of Retrato mortuorio del obispo de Narciso Martínez Izquierdo are available made-to-order from Artifact World Gallery.

Artwork

Retrato mortuorio del obispo de Narciso Martínez Izquierdo

José Nin y Tudó , 1894

Retrato mortuorio del obispo de Narciso Martínez Izquierdo is an oil painting by the Post-Impressionist artist José Nin y Tudó. It dates from 1894 and is held in the collection of the Museo del Prado.

About this work

Overview

In 1894 José Nin y Tudó created a post‑impressionist oil painting titled Retrato mortuorio del obispo de Narciso Martínez Izquierdo. The work, now part of the Museo del Prado’s holdings, presents a solemn, posthumous portrait of the late bishop, rendered in a muted palette that emphasizes the quiet gravity of death.

Subject & Meaning

The composition shows the bishop lying on his back, his head turned slightly to the left. He wears a red ecclesiastical robe trimmed with a white collar, while a white drape conceals his face and shoulders. The closed eyes and pallid skin convey the finality of death, inviting reflection on mortality and the reverence afforded to a religious figure.

Technique & Style

Nin y Tudó employs the loose brushwork and color modulation characteristic of post‑impressionism, yet the overall tone remains restrained. Dark, subdued background tones frame the figure, allowing the red of the robe and the stark white of the cloth to stand out, while the soft modeling of flesh suggests a delicate, almost decorative approach to the somber subject.

History & Provenance

Born in 1843, the Spanish painter worked primarily in Madrid and was known for decorative projects and a series of mortuary portraits of notable individuals. He continued his artistic activity until his death in 1908. The bishop’s portrait entered the Prado’s collection at an unspecified date, where it remains accessible for study and public viewing.