Artwork

冨嶽三十六景 東都浅草本願寺|Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

冨嶽三十六景 東都浅草本願寺|Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ink, 1831
冨嶽三十六景 東都浅草本願寺|Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ink, 1831

冨嶽三十六景 東都浅草本願寺|Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) is an ink print by the Japonisme artist Katsushika Hokusai. It dates from 1831 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Honganji at Asakusa in Edo is a woodblock print from Katsushika Hokusai's series Thirty-six Views of Mount Fuji, dating to around 1831. The work is part of The Metropolitan Museum of Art's collection.

Subject & Meaning

The print juxtaposes a foreground temple roof with intricate carvings and swirling clouds, against a serene backdrop of a bay leading to a distant, snow-capped Mount Fuji. The temple, part of a renowned Buddhist site in what is now Tokyo, contrasts with the natural majesty of Fuji, a deeply sacred Japanese symbol.

Technique & Style

Characterized by Hokusai's dynamic composition, the print features a ship with tall masts on the left and a kite in flight over the water, capturing movement and depth. The interplay of geometric temple structures, organic cloud forms, and the majestic mountain showcases Hokusai's ability to balance disparate elements.

History & Provenance

Created circa 1831, the print is now held in the collection of The Metropolitan Museum of Art, highlighting its significance within Hokusai's oeuvre and the broader context of Japanese ukiyo-e woodblock printing.

Context

As part of Thirty-six Views of Mount Fuji, this work reflects Hokusai's innovative approach to landscape, where human activity and nature coexist under the watchful presence of Mount Fuji, a unifying element across the series.

冨嶽三十六景 甲州石班沢|Kajikazawa in Kai Province (Kōshū Kajikazawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
冨嶽三十六景 甲州石班沢|Kajikazawa in Kai Province (Kōshū Kajikazawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai

Artist & collection

Portrait of Katsushika Hokusai

Artist

Katsushika Hokusai

Katsushika Hokusai spent his life in Edo, now Tokyo, where he drew and carved prints for a living.

Frequently asked questions

Who painted 冨嶽三十六景 東都浅草本願寺|Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)?

冨嶽三十六景 東都浅草本願寺|Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) was painted by Katsushika Hokusai in 1831.

Where can I see 冨嶽三十六景 東都浅草本願寺|Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)?

冨嶽三十六景 東都浅草本願寺|Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) is held by Metropolitan Museum of Art.

What movement is 冨嶽三十六景 東都浅草本願寺|Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)?

冨嶽三十六景 東都浅草本願寺|Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) is associated with Japonisme.