Artwork
冨嶽三十六景 東海道江尻田子の浦略図|Tago Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tago no ura ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

冨嶽三十六景 東海道江尻田子の浦略図|Tago Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tago no ura ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) is an ink print by the Japonisme artist Katsushika Hokusai. It dates from 1831 and is held in the collection of the Metropolitan Museum of Art.
About this work
Overview
Created around 1831 by the Japanese printmaker Katsushika Hokusai, this woodblock print belongs to his celebrated series Thirty‑six Views of Mount Fuji. It depicts a tranquil stretch of Tago Bay near the historic post town of Ejiri on the Tōkaidō road. The composition balances a distant, snow‑capped peak with a calm shoreline populated by modest dwellings and a few small vessels.
Subject & Meaning
The scene presents a quiet coastal landscape where everyday activity unfolds against the imposing presence of Mount Fuji. Fishermen’s boats rest on still water while pedestrians traverse the shore, suggesting a moment of repose in a travel corridor that linked Edo and Kyoto. The juxtaposition of human scale and the mountain underscores Fuji’s role as a cultural and spiritual landmark.
Technique & Style
Cross‑hatching in the foreground structures adds depth, and the limited palette of blues and muted earth tones reinforces the scene’s calm atmosphere.
Hokusai employed traditional ukiyo‑e woodblock methods, using ink and layered pigments on paper. The water’s surface is rendered with swift, undulating lines that convey subtle movement, while the mountain’s snow is built up through fine, overlapping strokes that create a textured surface. Cross‑hatching in the foreground structures adds depth, and the limited palette of blues and muted earth tones reinforces the scene’s calm atmosphere.
History & Provenance
The print was produced during the late Edo period, a time when travel guides and scenic series were popular among merchants and pilgrims. It entered the collection of the Metropolitan Museum of Art in the early 20th century, where it remains part of the museum’s Asian art holdings, documented as an example of Hokusai’s mature work within the Fuji series.
Context
Situated within the Thirty‑six Views of Mount Fuji, this image reflects Hokusai’s systematic exploration of the mountain from varied perspectives along Japan’s main highway. The Tōkaidō route was a vital artery for commerce and communication, and depictions of its stations catered to a growing market of travelers eager for visual souvenirs of their journeys.
Artist & collection
Artist
Katsushika Hokusai spent his life in Edo, now Tokyo, where he drew and carved prints for a living.
















