Artwork
Jean Saint Bonnet de Toiras
Jean Saint Bonnet de Toiras is an ink print by the Renaissance artist Michel Lasne. It dates from 1628 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:lower center in plate: MLasne deli. et fecit; by later hand, lower center verso in graphite: Marichal de Toiras; lower right verso in graphite: 65079
About this work
Overview
Michel Lasne’s 1628 engraving, titled Jean Saint Bonnet de Toiras, is executed on laid paper. The image presents a solemn male figure in period costume, his expression rendered with fine line work that emphasizes both facial features and the texture of his garments. The print exemplifies early‑17th‑century French printmaking, balancing portraiture with a devotional tone.
Subject & Meaning
The portrait depicts a man identified as Jean Saint Bonnet de Toiras, a figure associated with religious or civic esteem. His grave demeanor and modest attire suggest a portrayal intended to convey piety and gravitas, aligning the sitter’s personal identity with broader spiritual virtues common in contemporary commemorative prints.
Technique & Style
Lasne employed intaglio engraving, incising intricate lines into a copper plate before transferring the image onto laid paper. The method allows delicate modulation of tone, evident in the nuanced rendering of flesh and fabric. The style reflects the Flemish influence absorbed during his Antwerp apprenticeship, evident in the crisp contouring and dynamic chiaroscuro.
History & Provenance
Born in Caen around 1590, Michel Lasne trained in Antwerp under Peter Paul Rubens and Anthony van Dyck before settling in Paris by 1621. By the time he produced the Jean Saint Bonnet de Toiras print, he had already been appointed official engraver to King Louis XIII, a position that secured his works for royal and public circulation.
Context
The engraving emerges from a period when French artists increasingly incorporated Flemish techniques, merging local iconography with the dramatic realism of the Southern Netherlands. As an official royal engraver, Lasne’s output served both devotional purposes and the promotion of a cultivated court aesthetic, situating this portrait within the broader cultural exchange of early Baroque Europe.
Own this work as a print
Artist & collection
Artist
Michel Lasne (Caen, ca. 1590–4 December 1667, Paris), was a French engraver, draughtsman and collector. Lasne was born in Caen and was the son of a goldsmith. He was a member of the Guild of Saint Luke in Antwerp for…
