Who painted Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes?

Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes was painted by Louis Haghe in 1848.

Where can I see Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes?

Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes is held by Cleveland Museum of Art.

What movement is Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes?

Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes is associated with Romanticism.

Artwork

Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes

Louis Haghe , 1848

Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes is a print by the Romanticist artist Louis Haghe. It dates from 1848 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 2012.154
Credit line: Bequest of John Bonebrake

About this work

Overview

Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes is a lithographic print created by Louis Haghe in 1848. It captures a scene within a stone-working room at Dayr-El-Medeeneh, Thebes, as part of a broader documentary series on Egyptian and Nubian locales.

Subject & Meaning

The print depicts four laborers engaged in stone carving within a room littered with tools, scraps, and unfinished works, including a half-carved statue head. The scene conveys the everyday activity of stone craftsmanship in a historical, possibly archaeological, setting.

Technique & Style

Executed in lithography, a medium Haghe helped popularize through his firm Day & Haghe, the work showcases the detailed, observational qualities achievable with early Victorian lithographic techniques, combined with Haghe's background in watercolour evident in the nuanced lighting and textures.

History & Provenance

Created in 1848 by Louis Haghe, a Belgian-born British artist, as part of the Egypt and Nubia series. Haghe's involvement in both watercolour and lithography, particularly through his influential London firm, contextualizes the piece within the evolution of lithographic printing in the 19th century.

Context

The work reflects the Victorian era's fascination with ancient civilizations and the advent of more accessible, detailed print technologies to disseminate such imagery. It may also touch on Romantic interests in history, adventure, and the human scale of monumental sites.

Legacy

As part of a significant documentary series, Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes contributes to the historical record of Thebes' architectural and artisanal heritage. It also stands as an example of the artistic and technical achievements of early lithography in the 19th century.