Provenance · Bequest
John Bonebrake
This catalog gathers 267 public-domain works bequeathed to the museum by John Bonebrake. Every work is held by Cleveland Museum of Art.
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Kagurazaka Street after a Night Rain -
Egypt and Nubia, Volume II: Lateral View of the Temple called The Typhonoeum at Dendera -
L'Estampe Moderne: Jane -
Egypt and Nubia, Volume I: Thebes -
Egypt and Nubia, Volume I: Luxor -
Nude Woman on a Broomstick (from Advertisement Series for Coloured Fabric, Beit & Co., Hamburg) -
Egypt and Nubia, Volume III: Gate of Victory and Minaret of the Mosque El Hakim -
Radium -
Egypt and Nubia, Volume II: Hermont, Ancient Hermonthis -
Vanity Fair: Men of the Day, No. 60, "A Novelist" -
Egypt and Nubia, Volume I: View Under the Grand Portico of the Temple, Philae -
Egypt and Nubia, Volume III: Alexandria -
African Hunter (Chasseur Africain) -
Egypt and Nubia, Volume I: Grand Portico of the Temple of Philae, Nubia -
The Convicts -
Egypt and Nubia, Volume III: The Holy Tree of Metereah -
Egypt and Nubia, Volume III: View on the Nile, Ferry to Gizeh -
Oeuvres de A. Calame, No. 13: Forêt de Sierre en Valais -
Egypt and Nubia, Volume II: Dayr-El-Medeeneh, Thebes -
Egypt and Nubia, Volume I: Statues of Memnon, Thebes -
Egypt and Nubia, Volume III: The Coffee Shop -
Sketches at Home and Abroad: Falls of Terni -
Egypt and Nubia, Volume III: The Minaret of the Mosque El Rhamree -
Racing Scenes: The Race (Scènes Hippiques: La course) -
Cossack Cavalier -
Egypt and Nubia, Volume II: Entrance of the Temple of Amun, Thebes -
Egypt and Nubia, Volume I: Portico of the Temple of Kalabshe -
Vanity Fair: Men of the Day No. 14 "A Faithful Friend, an eminent Savant, and the best possible of Presidents" -
Scarborough -
Racing Scenes: The Jockey Mounting the Horse (Scènes Hippiques: Le jockey montant a cheval) -
Egypt and Nubia, Volume III: Mosque of Sultan Hassan, from the Great Square of the Rameyleh -
Egypt and Nubia, Volume II: Hagar Setsilis -
Egypt and Nubia, Volume I: Frontispiece -
Egypt and Nubia, Volume II: Karnak -
Egypt and Nubia, Volume I: Ruins of Karnac -
Vanity Fair: Sovereigns, No. 1 "Le regime parlementaire" -
Gil Blas Illustré: Une Curiosité, par Alexandre Hepp -
Egypt and Nubia, Volume II: Pyramids of Geezeh -
Egypt and Nubia, Volume III: Grand Entrance to the Mosque of the Sultan Hassan -
Forty-second Street NY -
Alphonse -
Seymour Haden Jr., Seated -
Simplicius among the Soldiers -
Egypt and Nubia, Volume II: Temple at Wady Dabod, Nubia -
Egypt and Nubia, Volume III: The Citadel of Cairo, Residence of Mehemet Ali -
Egypt and Nubia, Volume I: At Luxor, Thebes, Upper Egypt -
Vanity Fair: "The Autocrat of the Breakfast Table" -
Liber Studiorium: Ragland Castle, Monmouhshire -
Sketches in Belgium and Germany, Volume I: Pulpit in the Cathedral of Treves -
Egypt and Nubia, Volume I: General View of the Island of Philae, Nubia -
Egypt and Nubia, Volume III: Bazaar of the Silk Mercers, Cairo -
Egypt & Nubia, Volume III, No. 8: Mosque of Sultan Hassan, Cairo -
Egypt and Nubia, Volume II: Kom-Ombo -
Voyages pittoresques et romantiques dans l'ancienne France (Languedoc II, part I): Castelnaudary -
Egypt and Nubia, Volume I: Dendera -
Egypt and Nubia, Volume II: Colossus in Front of the Temple at Wady Saboua, Nubia -
Les Moutons de Boisdeffre -
Egypt and Nubia, Volume II: Ruins of Memnonium, Thebes -
Egypt and Nubia, Volume II: Temple of Isis on the Roof of the Great Temple of Dendera -
Sketches at Home and Abroad: Lyons Church of St. Hezier, October 1832 -
Egypt and Nubia, Volume III: The Nileometer. Island of Rhoda -
Cottage and Two Figures in a Boat -
Facsimiles of Sketches Made in Flanders and Germany: On the Walls, Cologne -
Facisimilies of Sketches made in Flanders and Germany: Dome, Francfort -
Egypt and Nubia, Volume I: Interior of the Temple of Aboo-Simbel -
Egypt and Nubia, Volume II: Edfou -
Egypt and Nubia, Volume I: One of Two Colossal Statues of Rameses II. Entrance to the Temple of Luxor -
Devil's Bridge, Cardiganshire -
Vanity Fair: Men of the Day, No. 2 "He suppressed an isthmus" -
Egypt and Nubia, Volume II: The Hypaethral Temple at Philae, called the Bed of Pharaoh -
Egypt and Nubia, Volume I: Grand Approach to the Temple of Philae, Nubia -
Picturesque Sketches in Spain: The Mosque, Cordova -
You'll find that's rather a hard one ! -
An Enemy on the March -
![[Mountain View with Water]](https://artifactworldgallery.com/img/edward-louis-laurenson--mountain-view-with-water--478a5de642881e5c-w320.webp)
[Mountain View with Water] -
Punishment -
Egypt and Nubia, Volume II: Karnac -
Sea -
Twelve Portraits: Prince Bismark -
Egypt and Nubia, Volume III: Interior of the Mosque of the Metwalys -
Woman from the Suburbs of Moscow -
Egypt and Nubia, Volume I: General View of the Ruins of Luxor, From the Nile -
Egypt and Nubia, Volume I: Title Page -
Vanity Fair: "Hard Hitter" -
Egypt and Nubia, Volume I: The Great Temple of Aboo-Simble, Nubia -
Sketches in Belgium and Germany, Volume I: Screen in the Cathedral of St. Peter, Louvain -
London -
The Legend and Adventures of Ulenspiefel and Lamme Goedzak: The Hanged Man (La legende et les aventures d'Ulenspiegel et Lamme Goedzak: Le pendu) -
Twelve Portraits: James McNeil Whistler -
Sketches at Home and Abroad: General View of Trento -
Scenes of Daily Life, Roads and Paths: Road to Saint-Cloud (Scènes de la vie quotidienne, Route et Chemins: Route de Saint-Cloud) -
Egypt and Nubia, Volume II: Grand Entrance to the Temple of Luxor -
Egypt and Nubia, Volume I: Ruins of Luxor from the South-West -
Egypt and Nubia, Volume I: Temple at Esneh -
Premier Counsul -
Egypt and Nubia, Volume III: The Letter-Writer, Cairo -
Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, Etc.: South Porch of Chartres Cathedral, -
Aeneid -
Facisimilies of Sketches made in Flanders and Germany: Sachsenhausen Francfort -
Scenes of Daily Life, Roads and Paths: Road to Poissy (Scènes de la vie quotidienne, Routes et Chemins: Route de Poissy) -
Napoleanic Battle Scene -
Peterboro -
Vanity Fair: "Italian Music" -
Egypt and Nubia, Volume II: Approach to the Fortress of Ibrim, Nubia -
Landslide (Opus IV, 6) -
Picturesque Sketches in Spain: Gate of the Vivarrambla, Granada -
Egypt and Nubia, Volume III: Tombs of the Memlooks, Cairo -
Notre Dame de Caudebec -
Egypt and Nubia, Volume I: View on the Nile Looking Towards the Pyramids of Dashour and Saccara -
You shall conjugate... -
An Almanac of Twelve Sports: Boxing -
Egypt and Nubia, Volume I: Nubian Women at Kortie, on the Nile -
Egypt and Nubia, Volume III: Tombs of the Caliph's, Cairo -
Egypt and Nubia, Volume I: Obelisk at Alexandria, Commonly called Cleopatra's Needle -
Egypt and Nubia, Volume II: Ruins of the Temple of Madamoud, at Thebes -
Egypt and Nubia, Volume III: Cairo from the Gate of Citzenib, Looking towards the Desert of Suez -
Egypt and Nubia, Volume II: Medinet Abou, Thebes -
Gathering the Flock on Maxwellbank, No. 2 -
Paris en Train. Démolition du théâtre du Vaudeville: rue du Dix-Decembre -
Egypt and Nubia, Volume II: Karnak -
Egypt and Nubia, Volume III: Mosque el Mooristan, Cairo -
Canards (Ducks) -
Egypt and Nubia, Volume III: Tomb of the Memlooks, Cairo -
Henry VIII Gateway -
Egypt and Nubia, Volume I: Thebes, Great Hall at Karnac -
The Village in Flames (L'Incendie du Hameau) -
Egypt and Nubia, Volume III: Interview with the Viceroy of Egypt, at his Palace, Alexandria -
Egypt and Nubia, Volume I: Excavated Temple of Gyrshe, Nubia -
Picadilly Circus -
Demolition -
Egypt and Nubia, Volume II: Ruins - Temple on the Island of Biggeh, Nubia -
It's about your father... -
Waramus Arch Bishop of Canterbury -
Bois de Pierrefonds -
Egypt and Nubia, Volume I: Libyan Chain of Mountains, from the Temple of Luxor -
Distant View of Winchester and St. Croix -
Fishing Boats, Normandy (Environ de Caen) -
You'll learn... -
Vanity Fair: Statesman No. 26 "When Birth cannot lead, Brains must." -
Portrait of Mrs. Israëls -
Egypt and Nubia, Volume III: Dancing Girls at Cairo -
Egypt and Nubia, Volume III: Map to Illustrate the Sketches of David Roberts, Esq: R.A. in Egypt and Nubia 1849 -
Paris -
Vanity Fair: Statesman, No. 141 "A Feminine Philosopher" -
Facisimilies of Sketches made in Flanders and Germany: Thein Church, Prague -
On Death Part Two, Opus XIII Print 4: Genius (Artist) -
Egypt and Nubia, Volume II: Philae -
Vanity Fair: "Emotional Music" -
Vanity Fair: Statesman, No. 23 "He is too honest a Tory for his party and time" -
Egypt and Nubia, Volume III: Bullack, Cairo -
You give me your money... -
Egypt and Nubia, Volume III: Interior of the Mosque of the Sultan El Ghoree -
![Egypt and Nubia, Volume III: Tombs of the Caliphs-Cairo. Mosque of Ayed Be[y]](https://artifactworldgallery.com/img/louis-haghe--egypt-and-nubia-volume-iii-tombs-of-the-caliphs-cairo-mosque--9062e89e981f8684-w320.webp)
Egypt and Nubia, Volume III: Tombs of the Caliphs-Cairo. Mosque of Ayed Be[y] -
Sellenger -
Vanity Fair: Statesman, No. 71 "One of the Lambs of the Political Fold" -
You can bawl... -
Haghe's Portfolio of Sketches. Belgium. Germany, vol. III: Title Page, on a door, part of a view, Porch of a Private House, Bruges -
Egypt and Nubia, Volume II: Temple of Amdda, of Hassaya in Nubia -
Egypt and Nubia, Volume II: Group of Nubians-Wady Kardasey -
All right, so he's dead!... -
Capital Punishment: The Pain of Death (Todesstrafe: La peine de mort) -
Illustrated Excursion in Italy (vol. II): Ancient Walls, Monte Circello -
Egypt and Nubia, Volume II: Entrance to the Tombs of the Kings of Thebes, Bab-El-Malouk -
Harry Kelly's, Putney -
By order of the Sultan... -
Egypt and Nubia, Volume III: Gate of the Metwaleys, Cairo -
Prospectus de Librarie et de Journaux: les soliloques du Pauvre par Jehan Rictus -
Kensington Gardens, No. 2 (Large Plate) -
Stopham Bridge -
Egypt and Nubia, Volume III: Modern Mansion, showing the Arabesque Architecture of Cairo -
Vanity Fair: Statesman, No. 113 "The Massive Grievance" -
Les Maitres de l'Affiche, Pl. 91: Paul Hankar, Architecte rue defacqz 63 -
Views of Rome and Its Environs: Ancient Gate of Alatri -
Pine Trees and Bridge -
Lower Broadway, Down-Town New York -
Egypt and Nubia, Volume III: The Entrance to the Citadel of Cairo -
Salute first... -
Egypt and Nubia, Volume II: General View of Esouan and the Island of Elephantine -
Canterbury Cathedral -
Vanity Fair: Statesmen No. 67 "The representative of Romance" -
Help! My cutlet's being stolen! -
Egypt and Nubia, Volume I: Temple of Wady Saboua, Nubia -
Scenes of Daily Life, Roads and Paths: Mail Route (Scènes de la vie quotidienne, Route et Chemins: Route de Poste) -
Egypt and Nubia, Volume III: One of the Tombs of the Khalifs, Cairo -
Mosque of Sultan Bayazid, Constantinople -
Egypt and Nubia, Volume I: Abyssinian Slaves Resting at Korti-Nubia -
Egypt and Nubia, Volume I: Siout - Upper Egypt -
Portrait of Theo van Rysselberghe -
Vanity Fair: Statesman No., 81 "The Last Generation" -
Picturesque Sketches in Spain: Remains of a Roman Bridge on the Guadalquiver, Cordova -
The Man of War -
Egypt and Nubia, Volume I: Pyramids of Geezeh, from the Nile -
Vanity Fair: Statesman, No. 118 "Anything to Beat Grant" -
Fondamenta della Zattere -
Egypt and Nubia, Volume II: Part of the Hall of Columns at Karnak, Thebes -
Hamerton's Portfolio III: Twickenham Church -
The question is, not whether... -
Egypt and Nubia, Volume II: A Persian Wheel, Used in Raising Water from the Nile -
Egypt and Nubia, Volume II: View from Under the Portico of the Temple of Dendera -
Egypt and Nubia, Volume I: View from Under the Portico of the Temple of Edfou, Upper Egypt
Showing the 200 most prominent of 267 works in this provenance.
On provenance & the public domain
A credit line — the small "Bequest of…" note beside a work on a museum wall — records its provenance: how the object passed from a private hand into a public collection, whether as an outright gift, a bequest left in a will, the purchase from a named endowment, or an entire collection acquired at once. Because these works are in the public domain, anyone can study, share, and reproduce them freely. Browsing by provenance follows the human story behind a museum's holdings — the collectors and benefactors whose generosity put these works where the public can see them.
Every work in this catalog is in the public domain; images come from the museums that hold them.