The Hoosseinabad Imambara, Lucknow
Louis-Théophile Marie Rousselet
1866
From the collection of Cleveland Museum of Art
Louis-Théophile Marie Rousselet
1866
From the collection of Cleveland Museum of Art
The Hoosseinabad Imambara, Lucknow is a 1866 by Louis-Théophile Marie Rousselet, a Impressionism work, depicting Pavilion, held at Cleveland Museum of Art.
You see a tall, white building with arches and domes, glowing in golden light. People in loose robes walk in the courtyard below. Rousselet drew this while traveling in India, but he worried his sketches didn’t show the real beauty. So he learned photography there—something rare for a European at the time. His photos later helped shape how the West saw Indian architecture. If you like this mix of drawing and early photography, look up the technique called sfumato.
Concerned that his drawings did not do justice to the splendor of India’s monuments, Rousselet learned photography in India that year, a remarkable accomplishment. He proved to be a talented photographer with a sophisticated sense of composition. The scenes in this volume sweep across sites of Sultanate, Rajput, and Mughal power in northern India, from the sacred Hindu city of Varanasi on the Ganges River to Alwar in Rajasthan. Also included are several scenes of industry and portraits of Indian rulers.
Louis Rousselet described himself as a “scientific traveler” when he went to India alone at age 18 in 1863 and stayed into 1868.
Read the full account in the museum source.
Louis-Théophile Marie Rousselet (1845–1929) was a French artist.
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