Artwork
François Le Clerc Du Tremblay, Known as Père Joseph
François Le Clerc Du Tremblay, Known as Père Joseph is an ink print by the Baroque artist Claude Mellan. It dates from 1638 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:across bottom in plate: Vraye effigie du R. P. Ioseph de Paris predicateur / Capucin, Provincial de Touraine Superieur des missions / estrangeres et de Poitou fondate ur des Religieuses de / Caluaire. A rendu l'esprit entre les mains de ses / Superieurs le 18 . decem bre 1638.; on the crucifix base, lRp//: CM.; by later hand on mount, lRv//in graphite: M.196 N5
About this work
Overview
Claude Mellan’s 1638 engraving presents François Le Clerc du Tremblay, better known as Père Joseph, in a direct, unadorned portrait. Rendered on laid paper, the image centers on the subject’s resolute visage, his expression solemn and his attire modest, reflecting the austere reputation of the French religious figure.
Subject & Meaning
Père Joseph was a prominent French cleric and political adviser in the early seventeenth century. The portrait’s emphasis on his strong facial features and plain dress underscores his reputation for moral rigor and influence within the royal court, conveying authority without ornamental distraction.
Technique & Style
Mellan employed a single‑needle engraving technique, incising fine lines into a copper plate that were then transferred onto laid paper. The method allows for delicate tonal variation, especially in the rendering of the face, where subtle cross‑hatching creates a nuanced sense of volume and depth.
History & Provenance
Created in 1638, the print was likely intended for circulation among the educated elite of France, serving both as a visual record of a key political figure and as an example of Mellan’s skill. The work has remained in institutional collections, documented in print catalogues since the eighteenth century.
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