Who painted Anbetung der Hirten?

Anbetung der Hirten was painted by Michele Rocca in 1710.

Where can I see Anbetung der Hirten?

Anbetung der Hirten is held by Bavarian State Painting Collections.

What movement is Anbetung der Hirten?

Anbetung der Hirten is associated with Barbizon school.

Artwork

Anbetung der Hirten

Michele Rocca , 1710

Anbetung der Hirten is an unspecified painting by the Barbizon school artist Michele Rocca. It dates from 1710 and is held in the collection of the Bavarian State Painting Collections.

About this work

Subject & Meaning

Michele Rocca's 1710 painting, titled Anbetung der Hirten, depicts the biblical scene known as the Adoration of the Shepherds.

Michele Rocca's 1710 painting, titled Anbetung der Hirten, depicts the biblical scene known as the Adoration of the Shepherds. The work's primary subject is the Christ Child, around whom the narrative of shepherds paying homage unfolds. As a piece of religious art, the composition visually interprets this specific episode from the Nativity story, focusing on the reverence shown to the newborn Jesus by the visiting shepherds.

The iconography centers on the divine infant as the focal point of devotion, representing the moment of revelation to the humble witnesses described in Christian scripture.

History & Provenance

The painting Anbetung der Hirten was created by Michele Rocca in 1710. It is a religious work depicting the adoration of the shepherds and the Christ Child. The work is currently held by the Bavarian State Painting Collections at the Alte Pinakothek.

The painting Anbetung der Hirten by Michele Rocca is held in the collection of the Bavarian State Painting Collections. It is located at the Alte Pinakothek in Munich. The work, which depicts the adoration of the shepherds, was created in 1710.

No specific inventory number or exhibition history for this artwork is provided in the available sources.

Overview

Anbetung der Hirten is a 1710 painting by Michele Rocca, an Italian Baroque artist active in Rome.

Technique & Style

Rocca's use of chiaroscuro, a strong contrast between light and dark, draws attention to the central figures and creates a sense of drama. The technique, reminiscent of Pietro da Cortona's style, gives the scene a sense of depth and volume.