Artwork
Sandal Maker, Tomb of Rekhmire

Sandal Maker, Tomb of Rekhmire is an unspecified painting by the Byzantine icon painting artist Nina M. Davies. It dates from 1490 and is held in the collection of the Metropolitan Museum of Art. This painting, Sandal Maker, was recorded in 1941 by Egyptologist and illustrator Nina M.
About this work
History & Provenance
The available records confirm its institutional location and specific cataloging but do not provide details regarding past public exhibitions or loan history.
The wall painting Sandal Maker in the Tomb of Rekhmire (TT 100) at Sheikh Abd el-Qurna, Theban Necropolis, was created by Nina M. Davies in 1479 BCE during the early 18th Dynasty of the New Kingdom period. Commissioned to document the tomb’s decorative program, Davies reproduced scenes from the tomb’s original painted reliefs, including this depiction of a sandal maker at work. The facsimile was later acquired by the Metropolitan Museum of Art (accession no. 33.8.3), where it remains in the museum’s collection.
The original tomb itself dates to the reign of Thutmose III or Amenhotep II, and the scene’s replication by Davies preserves a record of the tomb’s decoration prior to natural deterioration.
The facsimile painting titled 'Sandal Maker,' created by Nina M. Davies to document leatherworking scenes from the Tomb of Rekhmire (TT 100), is held in the collection of the Metropolitan Museum of Art. The work carries the accession number 33.8.3 within the museum's inventory. While the piece depicts ancient Egyptian craftsmanship dating to approximately 1479 BCE, the facsimile itself serves as a modern record of these reliefs.
The available records confirm its institutional location and specific cataloging but do not provide details regarding past public exhibitions or loan history.
Overview
This painting, Sandal Maker, was recorded in 1941 by Egyptologist and illustrator Nina M. Davies. It meticulously captures a scene from the ancient Tomb of Rekhmire, depicting a craftsman engaged in the production of sandals. The work is part of a broader effort by Davies and her husband to document and preserve visual records of ancient Egyptian life, and it is currently held in the collection of The Metropolitan Museum of Art.
Subject & Meaning
The artwork portrays a man seated on a chair, intently focused on his task of making sandals. He is depicted with dark skin and black hair, dressed in a simple white loincloth. In his hands, he carefully manipulates a sandal and a tool, illustrating the specific actions of his trade.
The surrounding elements, including a workbench and various implements, further define the artisan's workspace and the tools of his profession.
Technique & Style
Davies's rendering of the Sandal Maker employs a direct yet detailed approach, emphasizing the subject's activity and environment. The composition focuses on the craftsman and his tools, set against a light brown background with subtle linear details. This style prioritizes clarity in depicting the man's work, the sandal, and the associated objects, reflecting the original tomb painting's narrative function and Davies's commitment to accurate visual transcription.
Artist & collection
Artist
The Egyptologists Nina M. Davies (6 January 1881 – 21 April 1965) and Norman de Garis Davies (1865–5 November 1941) were a married couple of illustrators and copyists who worked in the early and mid-twentieth century…

















