Artwork
Facsimile painting from the tomb of Rekhmire

Facsimile painting from the tomb of Rekhmire is an unspecified painting by the Byzantine icon painting artist Nina M. Davies. It dates from 1490 and is held in the collection of the Metropolitan Museum of Art. This painting by Egyptologist Nina M.
About this work
History & Provenance
This facsimile painting reproduces a scene from the Theban tomb of Rekhmire, whose original wall decoration dates to around 1490 BCE.
This facsimile painting reproduces a scene from the Theban tomb of Rekhmire, whose original wall decoration dates to around 1490 BCE. The copy was produced by Nina M. Davies as part of a systematic documentation of Theban tombs and subsequently entered the collection of the Metropolitan Museum of Art, where it is catalogued under accession number 30.4.81 and was acquired in 1930. The facsimile depicts a baboon and a leopard alongside a figure of a man, reflecting the tomb's decorative program.
It forms part of the museum's Egyptian art holdings, listed under the copyist's name. No exhibition records specific to this facsimile are documented in the sources consulted.
Overview
This painting by Egyptologist Nina M. Davies serves as a meticulous reproduction of a scene found within the ancient Egyptian tomb of Rekhmire. Working alongside her husband, Norman de Garis Davies, she contributed significantly to the systematic documentation of these fragile artworks. Such facsimiles were crucial for preserving visual records of tomb decorations, enabling their study and appreciation by scholars and the public in subsequent eras.
Subject & Meaning
The depicted scene, originating from the tomb of Rekhmire, features multiple figures and animals. A central man, distinguished by a red skirt and white apron, holds a staff with raised arms. To his left, another man carries a spear, dressed in a patterned kilt.
On the right, a crowned figure with a long staff stands beside a spotted leopard. Faded hieroglyphs and a recumbent green animal are visible in the worn background, suggesting a rich narrative context.
Technique & Style
This facsimile meticulously captures the stylistic characteristics of ancient Egyptian tomb painting. The figures exhibit a rigid, almost sculptural quality, reminiscent of carved reliefs. Details such as the leopard’s spots are rendered with precision, reflecting the careful observation of the original artists.
The painting also conveys the aged appearance of the source material, with faded areas and worn textures suggesting the passage of centuries since its initial creation.
Context
This reproduction exemplifies the dedicated efforts of Nina M. Davies and her husband, Norman de Garis Davies, in documenting ancient Egyptian art. Their work involved creating precise copies of tomb decorations, which were often inaccessible or deteriorating. The original scene, from the tomb of Rekhmire, dates to approximately 1490 BCE, during the New Kingdom.
These facsimiles were vital for scholarly research and for introducing the intricate visual culture of ancient Egypt to a wider contemporary audience.
Artist & collection
Artist
The Egyptologists Nina M. Davies (6 January 1881 – 21 April 1965) and Norman de Garis Davies (1865–5 November 1941) were a married couple of illustrators and copyists who worked in the early and mid-twentieth century…















