Who painted Study for a Reliquary Sarcophagus?

Study for a Reliquary Sarcophagus was painted by Giovanni Odazzi in 1662.

Where can I see Study for a Reliquary Sarcophagus?

Study for a Reliquary Sarcophagus is held by National Gallery of Art.

What movement is Study for a Reliquary Sarcophagus?

Study for a Reliquary Sarcophagus is associated with Baroque.

Can I buy a print of Study for a Reliquary Sarcophagus?

Museum-quality prints of Study for a Reliquary Sarcophagus are available made-to-order from Artifact World Gallery.

Artwork

Study for a Reliquary Sarcophagus

Giovanni Odazzi , 1662

Study for a Reliquary Sarcophagus is an ink drawing by the Baroque artist Giovanni Odazzi. It dates from 1662 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:by Jonathan Richardson, Sr., on mount, lower center, in pen and brown ink, Cav.r Bernini; by later hand on mount, lower right in graphite, 11 [circled]/ 161; by later hand on mount, lower right, in pen and brown ink, 157; by later hand on mount verso, upper right, in pen and brown ink, 2W30; by later hand on mount verso, upper center, in pen and brown ink, 1741; by later hand on mount verso, lower center right, in graphite, D27599 / L.1990.159.99; by later hand on mount verso, lower right, in graphite, very good / Duke of Argyle Lot 90
Markings: Marked:stamp (black): RH. [L. 2214]

About this work

Overview

Study for a Reliquary Sarcophagus is a 1662 drawing by Giovanni Odazzi, an Italian artist active in Rome. Created with pen, brown ink, and wash over graphite on laid paper, it exemplifies Odazzi's work in the decorative arts.

Subject & Meaning

The drawing depicts a decorative stone sarcophagus flanked by kneeling winged figures, who support a central vase adorned with feathers and flowers. The ornate carvings and arrangement suggest a reliquary, a container for sacred relics.

Technique & Style

Odazzi employed rapid, expressive lines and chiaroscuro to convey depth and texture. The contrast between delicate floral motifs and robust stonework is achieved through varied line weights and shading.

History & Provenance

Executed in 1662, this drawing reflects Odazzi's engagement with the Baroque tradition, characterized by intricate detailing and dramatic lighting effects.