Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile, and Nude Figures
1560
ink
paper
From the collection of National Gallery of Art
1560
ink
paper
From the collection of National Gallery of Art
Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile, and Nude Figures is a 1560 ink by Bartolomeo Passarotti, a Renaissance work, held at National Gallery of Art.
This sketch shows quick, loose drawings of people and poses. Some figures are fully formed, like a woman holding a child and a standing woman in profile. Others are just arms, hands, or heads—some barely more than scribbles. The lines are dark and crisscrossed, especially on the draped cloth and one arm, where tiny strokes build up shadow. The paper looks old and yellowed, with a few smudges where the ink bled. The artist clearly practiced different poses, some rough and others more careful. The handwriting in the corner is messy, like notes jotted down while working. If you like this sketchy style, look up cross-hatching next.
Bartolomeo Passarotti or Passerotti (1529–1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna. His family name is also spelled Passerotti or Passarotto.
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