El marqués de la Mina (copia)

The painting El marqués de la Mina (copia) was created in 1880 by the Spanish artist Pedro Capmany Sandiumenge. Executed in oil on canvas, the work measures 130 cm in height and 105 cm in width. It is currently held within the collection of the Museo del Prado in Madrid, where it is cataloged under the accession number P007035.

The piece serves as a copy depicting the Marquis adorned with the insignia of the Order of Saint Januarius, the Order of Charles III, and the Golden Fleece.

The work is held in the collection of the Museo del Prado in Madrid. It is cataloged under the inventory number P007035 within the museum's records. The painting was created in 1880 and is executed in oil paint on canvas.

While specific exhibition dates are not detailed in the provided records, the work remains part of the permanent holdings of the institution, where it is identified as a copy depicting the Marqués de la Mina adorned with the Order of Saint Januarius, the Order of Charles III, and the Golden Fleece.

The painting's reputation grew through repeated exhibitions of Capmany Sandiumenge's oeuvre in late 19th-century Spanish art circles, where 'El marqués de la Mina (copia)' was cited as a technical study for larger compositions. Contemporary critics noted its precise rendering of aristocratic regalia, particularly the Order of Charles III insignia, which influenced academic treatments of ceremonial portraiture. The work's compositional economy informed a generation of student workshops that adapted its figure handling in private collections, though no direct documentary link to later artists has been documented.

Scholarly assessments of Capmany Sandiumenge's legacy reference this piece as an exemplar of 19th-century Spanish academic technique, particularly in its handling of ceremonial dress motifs.

Pedro Capmany Sandiumenge’s oil portrait, executed in 1890, presents a formally dressed gentleman against a somber backdrop. The canvas is part of the Prado Museum’s collection, where it is catalogued under the title “El marqués de la Mina (copia).”

The inclusion of the Golden Fleece and the two royal orders situates the portrait within the network of Spanish and Neapolitan nobility. Such regalia were commonly displayed in official portraits to affirm loyalty to the crown and to signal the wearer’s distinguished service and lineage.