Artwork
清 任頤 動物花鳥 冊頁八開|Animals, Flowers and Birds

清 任頤 動物花鳥 冊頁八開|Animals, Flowers and Birds is an ink painting by the Chinese Orthodox School artist Ren Yi. It dates from 1868 and is held in the collection of the Metropolitan Museum of Art.
- Accession no.
- 1986.267.47a–h
About this work
Subject & Meaning
The painting, titled Animals, Flowers and Birds, leaf eight, shows a bird rendered in ink and color on paper by Ren Yi in 1868.
The painting, titled Animals, Flowers and Birds, leaf eight, shows a bird rendered in ink and color on paper by Ren Yi in 1868. It belongs to the bird‑and‑flower painting tradition, a genre that emphasizes close observation of natural subjects. The bird is presented as a naturalistic study rather than a symbolic allegory, reflecting the artist’s interest in capturing the form and plumage of avian life within the album format.
Its delicate brushwork and subtle coloration exemplify the refined technique associated with late Qing bird-and-flower works. The work is part of the Metropolitan Museum of Art collection, indicating its recognized significance within Chinese painting. Such treatment underscores the cultural appreciation for nature in Qing decorative arts.
Technique & Style
The work is an album leaf painted in ink and color on paper, part of a set of eight leaves produced in 1868 in China. The medium combines precise ink outlines with delicate washes of pigment, and the sheet measures 25.9 cm by 32.4 cm. As a leaf within a bound album, it is handled as a paper support and has been preserved in the Metropolitan Museum of Art’s collection. The composition belongs to the still‑life genre of bird‑and‑flower painting, presenting a single avian figure rendered with fine brushwork and subtle tonal variation.
History & Provenance
The eight‑leaf album titled Animals, Flowers and Birds was produced in 1868 in China by Ren Yi, also known as Ren Bonian. Executed in ink and color on paper, each leaf measures approximately 25.9 cm by 32.4 cm. The work belongs to the still‑life genre and features a bird motif.
It was created as part of a series of eight leaves, though no specific commissioning patron is recorded. The album entered the collection of the Metropolitan Museum of Art, where it remains on view. Its provenance is limited to its acquisition by the museum, with no earlier ownership details documented.
The album is held in the collection of the Metropolitan Museum of Art, as recorded in the work's Wikidata entry, which lists the museum as both its collection and location.
No specific accession number, accession date, or exhibition history is documented in the available sources for this album of eight leaves by Ren Yi (Ren Bonian), dated 1868.
Overview
Ren Yi’s album, composed of eight paper leaves painted in 1868, presents a series of small-scale scenes that combine birds, flora, and a amphibian. Executed with ink and light colour, each page functions as an individual vignette within a cohesive collection of natural subjects.
Context
In the 1800s Shanghai’s artistic community experimented with looser brush techniques, moving beyond the strict line work of earlier masters. Ren Yi’s album exemplifies this transitional moment, merging established literati conventions with a more dynamic, gestural style that anticipates later modern developments in Chinese ink painting.
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