Who painted Johannes Witt?

Johannes Witt was painted by John Smith in 1707.

Where can I see Johannes Witt?

Johannes Witt is held by National Gallery of Art.

What movement is Johannes Witt?

Johannes Witt is associated with Baroque.

Can I buy a print of Johannes Witt?

Museum-quality prints of Johannes Witt are available made-to-order from Artifact World Gallery.

Artwork

Johannes Witt

John Smith , 1707

Johannes Witt is an ink print by the Baroque artist John Smith. It dates from 1707 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower center in plate: So war Herr Witt gestalt and dem nichts schwartzes bliebe... / Verhellen seinen Kuhm auch in dein sinstern Grab / Warner Hassells Pinx. Johannes Smith Fecit Londini 1707.; lower right in plate: Zu schuldigen Ehren: gedachtnick ausgesezet von I.B.R.E.D. …

About this work

Overview

Created in 1707, this mezzotint portrait presents the German scholar Johannes Witt. Rendered in black ink on laid paper, the image centers the sitter against a stark, unadorned background, his name encircled in an ornamental script. The composition emphasizes the figure’s dignified bearing, with a dark coat over a light shirt and a prominent fur collar framing his shoulders.

Subject & Meaning

Witt is depicted with curly white hair and a solemn expression, suggesting both age and gravitas. The plain black backdrop isolates the individual, focusing attention on his facial features and attire, while the surrounding circular inscription reinforces his identity and perhaps his status within academic or civic circles of early‑18th‑century Europe.

Technique & Style

The work employs the mezzotint process, a tonal engraving method that allows for subtle gradations of light and shadow.

The work employs the mezzotint process, a tonal engraving method that allows for subtle gradations of light and shadow. Smith achieved a three‑dimensional effect through careful shading of the face and clothing, contrasting the deep blacks of the background with the lighter tones of the shirt and fur collar. The decorative script around the portrait reflects the Baroque taste for elaborate lettering.

History & Provenance

Printed by the English engraver John Smith, the image was likely intended for distribution among patrons or institutions familiar with Witt’s reputation. As a single‑plate print, it would have been produced in limited numbers, typical of early 18th‑century portraiture. The piece now resides in collections that document the intersection of printmaking and scholarly portraiture of the period.