Who painted Hindu Funeral?

Hindu Funeral was painted by Robert Captain Smith in 1830.

Where can I see Hindu Funeral?

Hindu Funeral is held by Victoria and Albert Museum.

What movement is Hindu Funeral?

Hindu Funeral is associated with Romanticism.

Can I buy a print of Hindu Funeral?

Museum-quality prints of Hindu Funeral are available made-to-order from Artifact World Gallery.

Artwork

Hindu Funeral

Robert Captain Smith , 1830

Hindu Funeral is a drawing by the Romanticist artist Robert Captain Smith. It dates from 1830 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

This pencil drawing records a Hindu funeral taking place in a shallow river. A small group of figures, some standing, others bending, are shown in the water, with two central men holding containers or implements. The scene is set against a lightly rendered backdrop of trees and a cloudy sky, the whole composition rendered in simple, gestural lines.

Subject & Meaning

The work captures a ritual of death observed along the Ganges, illustrating how the community engages with the river as a conduit for the deceased. The presence of naked or minimally clothed bodies reflects the customary exposure of the body during cremation rites, emphasizing the natural cycle of life and death within Hindu practice.

Technique & Style

Executed in pencil, the drawing relies on cross‑hatching and varied line weight to suggest water movement, shadow, and the texture of foliage. The artist’s economy of line conveys motion and atmosphere without elaborate detail, while the light, sketch‑like quality suggests a rapid field observation rather than a finished studio piece.

History & Provenance

It is one of sixty‑five detached, mounted pencil drawings from an unpublished manuscript that Smith continued to refine until 1845.

Created by Captain Robert Smith during his travels in Hindustan between 1828 and 1833, the image forms part of a larger illustrated journal documenting his 1828–29 voyage up the Ganges from Calcutta to Cawnpore and subsequent visits to Delhi, Agra and Lucknow. It is one of sixty‑five detached, mounted pencil drawings from an unpublished manuscript that Smith continued to refine until 1845. The museum acquired the piece in 1915 from the collector W. M. Biden of Hampton‑on‑Thames.

Context

Smith’s drawings were produced at a time when British officers often recorded observations of Indian life for both personal curiosity and official reports. The depiction of a funeral ritual provides a rare visual account of everyday religious practice, complementing textual descriptions in contemporary travel literature and contributing to early Western understandings of Hindu customs.