Artwork

Untitled

Untitled, by After Li Gonglin, paint, 1639
Untitled, by After Li Gonglin, paint, 1639

Untitled is a paint painting by the Chinese Orthodox School artist After Li Gonglin. It dates from 1639 and is held in the collection of the Metropolitan Museum of Art.

About this work

Technique & Style

The painting is executed as a hanging scroll in color on silk, a format and support typical of seventeenth-century Chinese portraiture.

The painting is executed as a hanging scroll in color on silk, a format and support typical of seventeenth-century Chinese portraiture. Handling emphasizes smooth, unmodulated color areas and delicate linework to delineate costume and facial features, consistent with archaising modes inspired by Li Gonglin. Stylistic qualities include a frontal posture, symmetrical arrangement, and restrained palette, which together convey the subject’s elevated status while adhering to conventional iconographic conventions.

History & Provenance

The work is dated to 1639 by inscription, aligning with the early Qing period in China.

The painting entered the collection of the Metropolitan Museum of Art, where it is currently held. Its prior ownership history is not documented in the cited sources.

The hanging scroll titled Untitled, attributed to an artist working after Li Gonglin and dated to 1639, is held in the collection of the Metropolitan Museum of Art. The work is classified as a painting depicting a woman and a scroll, created in China. While the specific inventory or accession number is not provided in the available records, the piece is identified within the museum's holdings as a work by an anonymous painter.

No specific exhibition history is documented in the provided sources for this artwork.

Overview

This hanging scroll, titled Untitled, dates to 1639 and is attributed to an artist working in the style of Li Gonglin. Executed with color on silk, the painting presents a standing woman in a long robe, positioned beside a tall, rolled-up scroll. This work exemplifies traditional Chinese portraiture and the enduring practice of creating art on silk, a medium known for its delicate yet vibrant qualities when well-preserved.

Subject & Meaning

The artwork features a serene female figure, whose calm expression suggests introspection or dignity. Her proximity to a prominent, rolled-up scroll is significant, often symbolizing scholarship, artistic pursuit, or cultural refinement within Chinese art. Such motifs were prevalent during this period, reflecting an appreciation for intellectual and aesthetic endeavors, and suggesting the woman's connection to these esteemed values.

Context

The depiction of a woman associated with a scroll aligns with prevalent themes in Chinese art of the 17th century, where figures were often portrayed in contexts that highlighted their intellectual or cultural pursuits. This work can be understood within a broader tradition of depicting women in art from this period, inviting viewers to explore how female subjects were represented and idealized in various artistic forms across different regions.

富本豊ひな|The Lady Tomimoto Toyohina Reading a Letter
富本豊ひな|The Lady Tomimoto Toyohina Reading a Letter, Kitagawa Utamaro

Artist & collection

Frequently asked questions

Who painted Untitled?

Untitled was painted by After Li Gonglin in 1639.

Where can I see Untitled?

Untitled is held by Metropolitan Museum of Art.

What movement is Untitled?

Untitled is associated with Chinese Orthodox School.