Artwork
Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This illuminated page originates from a manuscript of Tales of a Parrot (Tuti‑nama), a narrative composed for Prince Salim.
About this work
Subject & Meaning
Its iconography centers on the parrot as a symbol of moral instruction, with the written text serving as didactic content within a Mughal manuscript context.
The page depicts a textual episode from the Tuti-nama, a Persian narrative about a parrot imparting wisdom. Its iconography centers on the parrot as a symbol of moral instruction, with the written text serving as didactic content within a Mughal manuscript context. The work represents didactic storytelling using animal allegory, reflecting the cultural transmission of ethical lessons through illustrated literature.
History & Provenance
This text page from the Tales of a Parrot (Tuti-nama) was created in 1560 within the Mughal Empire and is attributed to an unknown artist. It is held in the collection of the Cleveland Museum of Art, where it is cataloged as accession number 1962.279.150.b. The specific commission details and the chain of ownership prior to its acquisition by the museum are not detailed in the available records, and no exhibitions or loan history for this individual folio are listed.
Overview
This illuminated page originates from a manuscript of Tales of a Parrot (Tuti‑nama), a narrative composed for Prince Salim. Executed on paper that has acquired a warm, yellowed patina, the sheet is entirely covered with black inked Arabic calligraphy, densely arranged from margin to margin.
Technique & Style
The calligrapher employed a flowing, curved script, each letter rendered with meticulous precision despite the cramped layout. Small red dots punctuate the line ends, functioning as decorative punctuation, while a thin red border frames the page, adding a subtle chromatic accent to the otherwise monochrome surface.
Context
Manuscript production for elite patrons during this period combined literary content with high‑quality calligraphy and illumination. The elaborate hand and decorative red elements reflect the courtly standards of visual elegance expected in books destined for royalty.
Legacy
Pages such as this illustrate the intersection of literary culture and visual art in Persianate societies, offering scholars insight into the aesthetics of manuscript production and the transmission of narrative traditions to princely audiences.
Artist & collection










