What movement is Lidue Castelli di Verona, S. Pietro Felice, Veduti dal Ponte Nuovo?

Lidue Castelli di Verona, S. Pietro Felice, Veduti dal Ponte Nuovo is associated with Baroque.

Can I buy a print of Lidue Castelli di Verona, S. Pietro Felice, Veduti dal Ponte Nuovo?

Museum-quality prints of Lidue Castelli di Verona, S. Pietro Felice, Veduti dal Ponte Nuovo are available made-to-order from Artifact World Gallery.

Artwork

Lidue Castelli di Verona, S. Pietro Felice, Veduti dal Ponte Nuovo

Dionigi Valesio , 1747

Lidue Castelli di Verona, S. Pietro Felice, Veduti dal Ponte Nuovo is an ink print by the Baroque artist Dionigi Valesio. It dates from 1747 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:upper center in cartouche: LIDVE CASTELLI DI VERONA / S. PIETRO ES FELICE / VEDUTI DAL PONTE NUOVO; lower left in plate: Tiberio Majeroni delineo; lower center in plate: Il. Merito dell'Illmo. Sig.or Conte Sebastiano Murari Provveditor della Magnifica Citta di Verona in Segno di umilissimo Ossequio / Francesco Masieri.; lower right in plate: Dion. Valesi. scolpi

About this work

Overview

Dionigi Valesio’s 1747 etching, titled Veduti dal Ponte Nuovo, presents a bustling riverside vista of a European city. The composition is framed by a stone bridge, beyond which a hilltop castle and a soaring church spire dominate the skyline. Figures in period dress populate the streets and quays, while small boats drift near the water’s edge.

Subject & Meaning

The print captures everyday urban life, juxtaposing commercial activity with the serenity of the river. The presence of both pedestrian traffic and modest vessels suggests a thriving trade hub, while the distant religious and secular landmarks hint at the city’s layered social hierarchy and its reliance on both spiritual and civic authority.

Technique & Style

Executed on laid paper, the image is rendered through fine etching lines that delineate architectural details, clothing folds, and the ripples of water. Valesio’s control of line weight creates depth, with darker, denser strokes defining foreground figures and lighter, more delicate lines suggesting distant structures, a hallmark of mid‑18th‑century printmaking.

History & Provenance

The work is catalogued under the Lidue Castelli di Verona collection, attributed to the S. Pietro Felice series. Produced in the mid‑1700s, the etching reflects Valesio’s engagement with topographical subjects, a genre popular among collectors seeking visual records of notable Italian locales.