Provenance · Acquisition fund
Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment
This catalog gathers 69 public-domain works acquired through the Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment fund. Every work is held by Cleveland Museum of Art.
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Group of Afredees -
Chinak, Looking Towards the Kurram River -
Major Cavagnari C.S.I. and Sirdars -
Landi Kotal Camp -
Shadi Bagiar, Entrance to Khyber Pass -
Shergai Heights, Looking Towards Ali Musjid -
The Descent from Khurd Khyber, Looking Towards Bassaule -
Khyber Side of Sarkai Hill -
Bassaule, the Hill of Caves -
Midway in Jugdalluck -
Sherpur. The Laager and Abatts, West Corner, Showing the Kotal and Hills -
General View from Ali Musjid -
Landi Kotal Pass -
River Gorge Above Lalpura -
The River Gorge -
Lalpura from the Ferry -
Fort Battye and Plains of Futtiabad -
Ameer (Shere Ali) -
The 44th Hill, Looking Towards Jugdalluck -
The Amir Yakub Khan, General Daod Shah, Habeebula Moustafi, Major Cavagnari, Mr. Jenkyns -
Safed Sang Camp from 51st Camp -
The Bridge of Boats and Fort from Khairabad -
Ali Musjid and Camp -
The Amir Yakub Khan. The First Meeting with Major Cavagnari and Mr. Jenkins, 7 Miles from Safed Sang -
The Khan of Lalpura and Officers -
Ali Keyl, Pewar Kotal -
Untitled (Group of Men) -
Bhuddist Temple at Ali Musjid -
Landi Kotal, The Camp, Looking South -
Untitled (Landscape Scene) -
Kadm Villages and Pass, Left of Jumrood -
Pass Near Ali Musjid, Showing Tortang -
End of the Defile, Looking Back at Ali Musjid -
Ispola and Sultan Kheyl Villages -
The Kabul River, Jellalabad, Scene of the Disaster -
Kuta Kushta -
Jellalabad, Pipers Hill -
Birds Eye View of Jellalabad, from the Springs -
Bala Hissar -
Afridi Picket near Jumrood -
Group of Natives from Near Khyber Pass -
Ali Musjid and Camp from Sultan Tarra -
Dakka Fort and Lalpura -
South Wall, Bala Hissar & Residency -
Landi Kotal Pass, Looking Towards Dakka -
Entrance to Jugdalluck -
Safed Sang River and Old Bridge -
Ali Musjid and Surroundings -
Upper Bala Hissar, from West -
Cabulese -
General View of Dakka -
Fort Attock with Bridge of Boats and Khairabad -
Khyber Chiefs with Captain Tucker -
General Roberts and Staff -
View in the Large Garden, Jellalabad -
Fairy of the Alps -
Adoration of the Magi -
The Return of the Holy Family from Egypt -
Singers' Contest on the Wartburg -
Gust of Wind on the Poplars -
Torrent and Waterfall in the Alps -
The So-Called Sepulcher of the Curiatii Brothers at Albano, with the Church of the Madonna della Stella in the distance at left -
The Pyramid of Cestius, Rome -
Thebes, Temple of the Ramesseum, Interior of the Hypostyle Hall -
Thebes, The Colossi of Memnon -
House in Pau -
The Taj Mahal -
Headquarters of the Société des Aquafortistes -
Falling Leaves, Amersfoort
On provenance & the public domain
A credit line — the small "Acquisition fund of…" note beside a work on a museum wall — records its provenance: how the object passed from a private hand into a public collection, whether as an outright gift, a bequest left in a will, the purchase from a named endowment, or an entire collection acquired at once. Because these works are in the public domain, anyone can study, share, and reproduce them freely. Browsing by provenance follows the human story behind a museum's holdings — the collectors and benefactors whose generosity put these works where the public can see them.
Every work in this catalog is in the public domain; images come from the museums that hold them.