Who painted Reverberations of Taiga, Volume 1 (leaf 27)?

Reverberations of Taiga, Volume 1 (leaf 27) was painted by Aoki Shukuya in 1704.

Where can I see Reverberations of Taiga, Volume 1 (leaf 27)?

Reverberations of Taiga, Volume 1 (leaf 27) is held by Cleveland Museum of Art.

What movement is Reverberations of Taiga, Volume 1 (leaf 27)?

Reverberations of Taiga, Volume 1 (leaf 27) is associated with Baroque.

Can I buy a print of Reverberations of Taiga, Volume 1 (leaf 27)?

Museum-quality prints of Reverberations of Taiga, Volume 1 (leaf 27) are available made-to-order from Artifact World Gallery.

Artwork

Reverberations of Taiga, Volume 1 (leaf 27)

Aoki Shukuya , 1704

Reverberations of Taiga, Volume 1 (leaf 27) is a work on paper by the Baroque artist Aoki Shukuya. It dates from 1704 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 1979.73.1.27
Credit line: Andrew R. and Martha Holden Jennings Fund

About this work

Overview

Reverberations of Taiga, Volume 1 (leaf 27) is a loose ink drawing on paper, featuring jagged rocks, pine trees, and distant mountain peaks. Executed in quick, light lines, it resembles a sketchbook page.

Subject & Meaning

The subject matter, natural elements such as rocks, trees, and mountains, reflects traditional Japanese artistic themes, likely chosen for their suitability in teaching fundamental brush techniques and composition.

Technique & Style

The drawing exhibits the influence of Ikeno Taiga's style, characterized by swift, delicate brushstrokes. The technique aligns with apprenticeship practices, where copying a master's work was crucial for learning.

History & Provenance

Created by Shukuya, a pupil of the renowned Edo period artist Ikeno Taiga, this leaf is part of a portfolio used by the student to practice under Taiga's guidance.

Context

This work is part of a rare set of drawings housed at The Cleveland Museum of Art, with multiple pages from the series available for viewing.

Legacy

As a training piece, its significance lies in illustrating traditional Japanese apprenticeship methods and the transmission of Taiga's style to the next generation of artists.