Provenance · Acquisition fund
Andrew R. and Martha Holden Jennings
This catalog gathers 216 public-domain works acquired through the Andrew R. and Martha Holden Jennings fund. Every work is held by Cleveland Museum of Art.
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Royal Women Celebrating Diwali -
Prince and ascetics, from the Late Shah Jahan Album -
Wagtails and Narcissus -
Portrait of the Aged Akbar -
Babur meeting with Sultan Ali Mirza at the Kohik River, from a Babur-nama (Memoirs of Babur) -
Kakubha Ragini -
Eagle on a Tree Trunk -
Still Life with Cantaloupe -
Evening Snow Blending River and Sky, from Eight Views of Xiao-Xiang -
Pradyumna and Mayavati Fly to Dvaraka, from the Large Basohli Bhagavata Purana -
Scholar-Hermits in the Autumn Mountains -
Four Motifs from the Eight Views of Xiao-Xiang -
The Attractions of Music -
Nagisa Palace from the Tales of Ise -
Akrura and Kritavarma flee Dvaraka, page from the "Large Basohli Bhagavata Purana" -
Returning Sails off a Distant Shores, from Eight Views of Xiao-Xiang -
Plum Blossoms and Peonies -
Landscape with Gentle Peaks -
Princely ascetic in the forest visited by ladies -
Landscape with Saint John the Baptist -
Girls Spraying Each Other at Holi -
Bamboo in Moonlight -
Opium Smokers Served Fruit and Bread -
Graves of Travellers, Fort Kearny, Nebraska -
European Costume Scene -
Wild Geese Descending on a Sandbar, from Eight Views of Xiao-Xiang -
Summer in the Water Country -
Eleven-Headed, Thousand-Armed Bodhisattva of Compassion (Avalokiteshvara) -
Prater Landscape -
The lovelorn heroine, from a Sat Sai of Bihari -
Woman as an Itinerant Monk: Onna Komuso (Otsu-e) -
The Shadow Dancers -
Lovers Embracing -
Landscape in the Style of Dong Yuan and Juran -
Morning Sun over Heavenly Citadel Peak -
Gathering of Poetic Immortals with Poem Drafts -
Krishna reaching for the moon -
Mountain Market in Clearing Mist, from Eight Views of Xiao-Xiang -
Jaswant Singh of Jodhpur (reigned 1635–1678) -
Landscape -
The Knickknack Peddler -
Old Pine Tree -
Saint Paul the Hermit -
Grotesque Dancers Performing -
Plum Blossoms in Moonlight -
The Emperor Alamgir (reigned 1658–1707) on Horseback -
Mughal ruler Humayun defeating the Afghans before reconquering India, folio from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602) -
Seventy-Two Peaks Under the Blue Sky with Mount Furong -
Dwelling in the Longmian ("Sleeping Dragon") Mountains -
Clouds Visiting a Mountain Retreat -
Circumcision ceremony for Akbar’s sons, painting 126 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602) -
New Year's Day in a Village at Stone Lake -
Ablution Scene (Misogi) -
Scenes from Essays in Idleness -
God of Thunder (Raijin) -
Miracle of the Dragon -
Three Studies of Angels for a Pendentive (recto) -
Grotesque with a Satyr Feeding a Dragon (recto) -
Three Studies of Angels for a Pendentive (recto); Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso) -
The Garden Court -
Falls of the Rhine at Schaffhausen (Rheinfall von Schaffhausen) -
Head of a Young Woman Seen from Below -
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a Leaping Centaur (verso) -
Wild Sow and Her Young Attacked by Dogs -
Grotesque with a Leaping Centaur (verso) -
The Unrepentant Thief -
Woman in Front of a Fireplace -
A View of Spa -
Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso) -
Cupid and Psyche -
Budding Sycamore -
Untitled (Pennsylvania Railroad Engine) -
Gorge at Eaux Chaudes, Pyrenees -
L.D. Campbell's Tomb (verso) -
Amiens, Northern Façade of the Transept -
The Woodcutters -
Chartres Cathedral: Right Door of the Royal Portal with Our Lady of Chartres -
Partridges (recto) -
Rocks at Livermead near Torquay (England) -
Yosemite Falls -
Large Speos - View taken from the Sand Slope (Temple of Ramesses II), Abu Simbel -
Japanese Temple Graveyard, Shuntoji, Nagasaki -
Arch in Farmyard, Swansea -
Scott Monument Under Construction -
Scots Guards at Edinburgh Castle -
Servants at Rhagatt, Corwen, North Wales -
Bridal Veil, Yosemite -
The Miners' Bridge, on the Llugwy, North Wales -
Ancient Door, Magdalen College, Oxford -
Mnemosyne (Marie Spartali, 1844-1927) -
A Bride and Her Bridesmaids -
An Effect of the Sun, Normandy -
A Path Through a Wood -
Plaster Cast from the Depaulis Collection -
Oak Trees in a Graveyard -
Partridges (recto); L.D. Campbell's Tomb (verso) -
Articles of Glass -
James Nasmyth (1808-1890) -
Elizabeth Rigby, later Lady Eastlake (1809-1893) -
Amiens -
Westminster Abbey -
Church at Auvers -
Newhaven Fishwives, Jeanie Wilson and Annie Linton -
Ely Cathedral, Nave, Southwest Corner -
Colossol Monolith of Amenhotep III, Gournah -
Boulogne Fisherman -
Footbridge Near Chingford -
Trophy of the Hunt -
A Mountain Rivulet Which Flows at the Foot of Doune Castle -
Pavilion Richelieu, Louvre, Paris -
A Convict's Home -
Lord Elcho (1818-1914) -
Chateau Montesquieu -
Fallen Statue at the Ramesseum, Thebes -
Nakamura Utaemon as Inanoya Hanbei -
The Studio -
Silenus -
Seven Deities: Nox (Night) -
Foro Romano from "Prospectus Locurum Urbis Romae Insign[ium]" -
A Bad Night, Plate 36 -
Abraham's Sacrifice -
Piazza Colonna from "Prospectus Locurum Urbis Romae Insign[ium]" -
Santa Maria Maggiore from "Prospectus Locurum Urbis Romae Insign[ium]" -
Il Colosseo e l'Arco di Costantino from "Prospectus Locurum Urbis Romae Insign[ium]" -
"Prospectus Locurum Urbis Romae Insign[ium]" -
Ruins of the Castle Huys Te Kleef near Haarlem -
Saint George Slaying the Dragon -
Actor Ichikawa Ebijūrō I as Tōken (China Dog) Jūbei, in the play Red and Purple, Rich Dyes of Osaka (Benimurasaki ai de someage) -
St. Peter's Basilica from "Prospectus Locurum Urbis Romae Insign[ium]" -
In the Salon -
Skeletons, also known as Allegory of Death and Fame -
Scherzi di Fantasia: Magician Pointing Out a Burning Head to Two Youths -
Frontispiece from "Prospectus Locurum Urbis Romae Insign[ium]" -
Cupid and Psyche -
St. Angelo from "Prospectus Locurum Urbis Romae Insign[ium] -
Offering of the Paschal Lamb from the German Bible published by Anton Koberger, Nürnberg -
Trajan's Column from "Prospectus Locurum Urbis Romae Insign[ium] -
Piazza Navona from "Prospectus Locurum Urbis Romae Insign[ium] -
Woman with Red Hair and Green Eyes (The Sin) -
A Lord in the Time of Francis I -
S. Giovanni in Laterano from "Prospectus Locurum Urbis Romae Insign[ium]" -
Piazza del Popolo from "Prospectus Locurum Urbis Romae Insign[ium]" -
Reverberations of Taiga, Volume 1 (leaf 4) -
Reverberations of Taiga, Volume 2 (leaf 30) -
Reverberations of Taiga, Volume 1 (leaf 12) -
Reverberations of Taiga -
Reverberations of Taiga (Volume 1) -
Reverberations of Taiga, Volume 1 (leaf 7) -
Reverberations of Taiga, Volume 2 (leaf 29) -
Reverberations of Taiga, Volume 2 (leaf 20) -
Reverberations of Taiga, Volume 2 (leaf 34) -
Reverberations of Taiga, Volume 2 (leaf 16) -
Reverberations of Taiga, Volume 1 (leaf 23) -
Postscript from “Reverberations of Taiga” -
Reverberations of Taiga, Volume 1 (leaf 18) -
Reverberations of Taiga, Volume 2 (leaf 12) -
Reverberations of Taiga, Volume 1 (leaf 36) -
Reverberations of Taiga, Volume 2 (leaf 10) -
Reverberations of Taiga, Volume 2 (leaf 32) -
Reverberations of Taiga, Volume 1 (leaf 24) -
Reverberations of Taiga, Volume 1 (leaf 32) -
Reverberations of Taiga, Volume 2 (leaf 24) -
Reverberations of Taiga, Volume 1 (leaf 34) -
Reverberations of Taiga, Volume 1 (leaf 26) -
Reverberations of Taiga, Volume 2 (leaf 13) -
Reverberations of Taiga, Volume 2 (leaf 3) -
Reverberations of Taiga, Volume 1 (leaf 35) -
Reverberations of Taiga, Volume 1 (leaf 16) -
Reverberations of Taiga, Volume 2 (leaf 18) -
Reverberations of Taiga (Volume 2) -
Reverberations of Taiga, Volume 1 (leaf 8) -
Reverberations of Taiga, Volume 1 (leaf 27) -
Reverberations of Taiga, Volume 2 (leaf 19) -
Reverberations of Taiga, Volume 2 (leaf 25) -
Reverberations of Taiga, Volume 1 (leaf 25) -
Reverberations of Taiga, Volume 2 (leaf 33) -
Title from "Reverberations of Taiga" -
Reverberations of Taiga, Volume 2 (leaf 17) -
Reverberations of Taiga, Volume 2 (leaf 28) -
Reverberations of Taiga, Volume 2 (leaf 26) -
Reverberations of Taiga, Volume 1 (leaf 28) -
Reverberations of Taiga, Volume 1 (leaf 11) -
Reverberations of Taiga, Volume 1 (leaf 9) -
Reverberations of Taiga, Volume 1 (leaf 17) -
Reverberations of Taiga, Volume 2 (leaf 14) -
Reverberations of Taiga, Volume 1 (leaf 29) -
Reverberations of Taiga, Volume 1 (leaf 15) -
Reverberations of Taiga, Volume 1 (leaf 5) -
Reverberations of Taiga, Volume 2 (leaf 23) -
Reverberations of Taiga, Volume 1 (leaf 22) -
Reverberations of Taiga, Volume 2 (leaf 2) -
Reverberations of Taiga, Volume 2 (leaf 1) -
Reverberations of Taiga, Volume 1 (leaf 31) -
Reverberations of Taiga, Volume 2 (leaf 35) -
Reverberations of Taiga, Volume 2 (leaf 5) -
Reverberations of Taiga, Volume 2 (leaf 15) -
Reverberations of Taiga, Volume 1 (leaf 19) -
Reverberations of Taiga, Volume 2 (leaf 21) -
Reverberations of Taiga, Volume 1 (leaf 33) -
Reverberations of Taiga, Volume 2 (leaf 31)
Showing the 200 most prominent of 216 works in this provenance.
On provenance & the public domain
A credit line — the small "Acquisition fund of…" note beside a work on a museum wall — records its provenance: how the object passed from a private hand into a public collection, whether as an outright gift, a bequest left in a will, the purchase from a named endowment, or an entire collection acquired at once. Because these works are in the public domain, anyone can study, share, and reproduce them freely. Browsing by provenance follows the human story behind a museum's holdings — the collectors and benefactors whose generosity put these works where the public can see them.
Every work in this catalog is in the public domain; images come from the museums that hold them.