Who painted Winter Games on the Frozen River Ijssel?

Winter Games on the Frozen River Ijssel was painted by Hendrick Avercamp in 1626.

Where can I see Winter Games on the Frozen River Ijssel?

Winter Games on the Frozen River Ijssel is held by National Gallery of Art.

What movement is Winter Games on the Frozen River Ijssel?

Winter Games on the Frozen River Ijssel is associated with Baroque.

Can I buy a print of Winter Games on the Frozen River Ijssel?

Museum-quality prints of Winter Games on the Frozen River Ijssel are available made-to-order from Artifact World Gallery.

Artwork

Winter Games on the Frozen River Ijssel

Hendrick Avercamp , 1626

Winter Games on the Frozen River Ijssel is an ink drawing by the Baroque artist Hendrick Avercamp. It dates from 1626 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower left in gray watercolor: HA; by later hand, lower left verso in pen and brown ink: 1823 WE 63+ G. Hibberts colln Stomme van Campen

About this work

Overview

Created circa 1626, this drawing by Hendrick Avercamp portrays a bustling winter scene on the frozen River IJssel. Executed on laid paper, the work combines pen and black‑gray ink with washes of watercolor, gouache, and graphite, capturing a lively tableau of skaters, sledders, and pedestrians amid a muted palette of pale blues and whites.

Subject & Meaning

The composition records everyday leisure activities typical of Dutch winter life, emphasizing communal recreation on ice. Figures are shown in various poses, gliding on skates, sledding, or walking, illustrating the social interaction and collective enjoyment that characterized the seasonal landscape of the Netherlands during the early seventeenth century.

Technique & Style

Avercamp employed fine pen work to delineate individual characters before applying delicate watercolor and gouache washes that soften the scene. Graphite adds subtle shading, while the laid paper surface enhances the texture of the ink outlines. The restrained colour scheme and precise draftsmanship reflect the artist’s preference for small‑scale, highly detailed winter studies.

History & Provenance

Although based on a scene Avercamp observed in his youth, the drawing was produced years later from memory, a common practice for the artist. It remains a representative example of his winter genre, created during the Dutch Golden Age when such depictions were popular among patrons interested in local customs and seasonal festivities.

Context

Winter landscapes were a prominent subject in early seventeenth‑century Dutch art, reflecting both the climatic conditions of the Little Ice Age and the cultural importance of ice sports. Avercamp’s work aligns with this trend, offering a visual record of communal winter pastimes that were both recreational and socially significant.