Artwork

Portrait of Countess Yulia Samoilova

Portrait of Countess Yulia Samoilova, by Benoît Charles Mitoire, oil, 1825
Portrait of Countess Yulia Samoilova, by Benoît Charles Mitoire, oil, 1825

Portrait of Countess Yulia Samoilova is an oil painting by the Neoclassicist artist Benoît Charles Mitoire. It dates from 1825 and is held in the collection of the Hermitage Museum. Created in 1825, this oil on canvas portrait presents Yulia Samoilova, a Russian countess, seated in an upholstered chair.

About this work

Subject & Meaning

The painting portrays Yuliya Samoylova, a Russian noblewoman from the early 19th century, adorned with a pearl necklace, a ring, and a bracelet that signify her aristocratic status and refined taste. These accessories function as visual symbols of wealth and marital eligibility, reflecting contemporary Russian courtly ideals of femininity and social distinction. Rendered in oil on canvas, the work was created in Russia in 1825 and is housed in the Hermitage Museum, where it has been featured in exhibitions such as "Jewels! The Glitter of the Russian Court."

Technique & Style

The canvas is held in the collection of the Hermitage Museum, where it has been displayed in the exhibition "Jewels!

The portrait is executed in oil paint on canvas, a standard support for formal portraiture of the period. According to the catalogue record, the work measures 103 cm in height by 83.5 cm in width, giving it a vertical orientation suited to a half- or three-quarter-length depiction of the sitter.

Stylistically, the painting belongs to the genre of portraiture and was produced in Russia in 1825. The composition focuses on Countess Yulia Samoilova as the main subject, with attention drawn to her jewelry, a pearl necklace, ring, and bracelet, rendered as accoutrements that signal status. The handling is consistent with academic oil technique of the early nineteenth century, employing the medium's capacity for smooth tonal blending and detailed surface description to convey both likeness and the reflective qualities of the pearls and metalwork.

The canvas is held in the collection of the Hermitage Museum, where it has been displayed in the exhibition "Jewels! The Glitter of the Russian Court."

History & Provenance

The portrait was commissioned and completed in 1825 by the French painter Benoît Charles Mitoire, who depicted Countess Yulia Samoilova in an oil-on-canvas format measuring 103 cm in height and 83.5 cm in width.

By 1825, the work entered the collection of the Hermitage Museum in Saint Petersburg, where it has remained as part of the museum’s holdings. The painting was later included in the exhibition Jewels! The Glitter of the Russian Court, held in Russia, which focused on the opulence associated with the Russian aristocracy and the sitter’s adornment.

Overview

Created in 1825, this oil on canvas portrait presents Yulia Samoilova, a Russian countess, seated in an upholstered chair. She is attired in a white gown with voluminous sleeves and a high neckline, complemented by a substantial pearl necklace, gold bracelets, and a ring. The composition is set against a dark, indistinct backdrop that hints at a red drapery, emphasizing the sitter’s refined presence.

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Artist & collection

Hermitage Museum

Museum

Hermitage Museum

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This work is in the public domain (CC0). Image source: Hermitage Museum open access. Spotted an error in this record? Tell us.

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Frequently asked questions

Who painted Portrait of Countess Yulia Samoilova?

Portrait of Countess Yulia Samoilova was painted by Benoît Charles Mitoire in 1825-01-01.

Where can I see Portrait of Countess Yulia Samoilova?

Portrait of Countess Yulia Samoilova is held by Hermitage Museum.

What movement is Portrait of Countess Yulia Samoilova?

Portrait of Countess Yulia Samoilova is associated with Neoclassicism.

Can I buy a print of Portrait of Countess Yulia Samoilova?

Museum-quality prints of Portrait of Countess Yulia Samoilova are available made-to-order from Artifact World Gallery.