Who painted Pink Roses?

Pink Roses was painted by Fidelia Bridges in 1875.

Where can I see Pink Roses?

Pink Roses is held by National Gallery of Art.

What movement is Pink Roses?

Pink Roses is associated with Impressionism.

Can I buy a print of Pink Roses?

Museum-quality prints of Pink Roses are available made-to-order from Artifact World Gallery.

Artwork

Pink Roses

Fidelia Bridges , 1875

Pink Roses is a watercolor drawing by the Impressionist artist Fidelia Bridges. It dates from 1875 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower left in graphite by unknown hand: $75

About this work

Overview

Created in 1875, Pink Roses is a watercolor on wove paper by American artist Fidelia Bridges. The work presents a modest composition of a single rose bush, rendered in soft pinks and muted greens, set against a warm beige ground that emphasizes the floral subject.

Subject & Meaning

The painting depicts three blossoms on the bush, two fully opened, gently blushed roses and a smaller, unopened bud, accompanied by foliage whose edges show signs of drying. The informal arrangement and slightly imperfect forms convey a naturalistic observation rather than an idealized garden scene.

Technique & Style

Bridges employs loose, rapid brushwork characteristic of her watercolor practice, allowing layers of translucent pigment to build depth without rigidity. The medium’s capacity for delicate washes highlights the subtle color variations of the petals and the atmospheric background, while the quick strokes preserve a sense of immediacy.

History & Provenance

Fidelia Bridges, originally trained in oil, shifted to watercolor in the late 19th century and became a prominent figure within the American Watercolor Society, the sole woman among its early members. Pink Roses reflects the period when her botanical illustrations were frequently reproduced in magazines and greeting cards, extending her reach beyond gallery walls.

Context

The work aligns with the broader 19th‑century American interest in detailed natural studies, a trend that blended scientific observation with aesthetic appreciation. Bridges’ focus on flora placed her alongside contemporaries who sought to document native and cultivated plants with accuracy and artistic sensitivity.