Who painted St. Maria Doloru; St. Stephen, Abbot; St. Apoloni; St. Timon?

St. Maria Doloru; St. Stephen, Abbot; St. Apoloni; St. Timon was painted by Jacques Callot in 1634.

Where can I see St. Maria Doloru; St. Stephen, Abbot; St. Apoloni; St. Timon?

St. Maria Doloru; St. Stephen, Abbot; St. Apoloni; St. Timon is held by National Gallery of Art.

What movement is St. Maria Doloru; St. Stephen, Abbot; St. Apoloni; St. Timon?

St. Maria Doloru; St. Stephen, Abbot; St. Apoloni; St. Timon is associated with Baroque.

Artwork

St. Maria Doloru; St. Stephen, Abbot; St. Apoloni; St. Timon

Jacques Callot , 1634

St. Maria Doloru; St. Stephen, Abbot; St. Apoloni; St. Timon is an ink print by the Baroque artist Jacques Callot. It dates from 1634 and is held in the collection of the National Gallery of Art. St.

About this work

Overview

St. Maria Doloru; St. Stephen, Abbot; St. Apoloni; St. Timon is an etching on laid paper created by French Baroque artist Jacques Callot around 1634. This print is part of Callot's prolific religious and military-themed oeuvre.

Subject & Meaning

The etching presents four distinct oval scenes, each narrating a moment in the lives of four saints: Maria Doloru beside a crucifixion, Stephen holding a stone amidst onlookers, a horse-mounted figure (likely Apoloni) gesturing towards a building, and Timon pointing to a cross with a young companion. The emphasis lies in the depiction of their actions rather than intricate details.

Technique & Style

Callot employed etching techniques to achieve fine, precise lines and subtle shading, framing each scene like a window. The simplicity of the lines complements the narrative focus of the compositions.

History & Provenance

Created circa 1634, this etching is one of over 1,400 works by Callot, contributing significantly to the development of old master printmaking. Specific provenance details for this piece are not provided.

Context

This work reflects Callot's practice of documenting religious and contemporary figures within sometimes detailed landscapes, though here the focus is more intimate. It aligns with the Baroque period's emphasis on expressive and emotionally charged art.

Legacy

As part of Callot's extensive body of work, *St. Maria Doloru; St. Stephen, Abbot; St. Apoloni; St. Timon* contributes to his legacy as a pivotal figure in the evolution of printmaking techniques and the dissemination of Baroque artistic values.