Artwork

The Sickly Cryptogam

The Sickly Cryptogam, by Charles Meryon, 1860
The Sickly Cryptogam, by Charles Meryon, 1860

The Sickly Cryptogam is a print by the Impressionist artist Charles Meryon. It dates from 1860 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

The Sickly Cryptogam is a unique 1860 etching by French artist Charles Meryon, deviating from his typical architectural and urban themes. The work features a curved, abstract shape resembling an ailing plant or fungus, rendered in black with textured details against a nuanced, shaded background.

Subject & Meaning

The subject, as indicated by the title, appears to be a diseased cryptogam (a plant that reproduces via spores, such as a fern or moss). The melancholic depiction may reflect Meryon's personal perspective, characteristic of his oeuvre's sometimes somber tone.

Technique & Style

Executed in etching, the piece showcases Meryon's skill in capturing texture and depth through black ink and varied background shading, despite his colour blindness. The abstract, curvilinear form diverges from his more representational Parisian scenes.

History & Provenance

Created in 1860, The Sickly Cryptogam is part of Meryon's 19th-century etching output. Specific provenance details (ownership history) are not provided in the available information.

Context

While Meryon's work is distinct from the Impressionist movement (which emphasized light and colour), his deviation into abstract, thematic subjects in The Sickly Cryptogam offers a fascinating contrast to his and his contemporaries' more typical focuses.

Legacy

The Sickly Cryptogam contributes to Meryon's legacy as a versatile etcher, highlighting his ability to explore beyond his signature Gothic Parisian vistas. Its uniqueness within his corpus continues to interest scholars and viewers alike.

Artist & collection

Portrait of Charles Meryon

Artist

Charles Meryon

Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868) was a French artist who worked almost entirely in etching, as he had colour blindness.

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.