Who painted Seven Figures Witnessing an Ascension [verso]?

Seven Figures Witnessing an Ascension [verso] was painted by Donato Creti in 1710.

Where can I see Seven Figures Witnessing an Ascension [verso]?

Seven Figures Witnessing an Ascension [verso] is held by National Gallery of Art.

What movement is Seven Figures Witnessing an Ascension [verso]?

Seven Figures Witnessing an Ascension [verso] is associated with Baroque.

Can I buy a print of Seven Figures Witnessing an Ascension [verso]?

Museum-quality prints of Seven Figures Witnessing an Ascension [verso] are available made-to-order from Artifact World Gallery.

Artwork

Seven Figures Witnessing an Ascension [verso]

Donato Creti , 1710

Seven Figures Witnessing an Ascension [verso] is an ink drawing by the Baroque artist Donato Creti. It dates from 1710 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:in later hand, lower right in graphite: Doppio

About this work

Overview

Its compact size and sketch-like quality suggest it functioned as a preparatory study rather than a finished piece.

Created in 1710, the drawing titled Seven Figures Witnessing an Ascension is executed on laid paper with a foundation of graphite, over which pen and brown ink define the composition. The work records a group of seven robed individuals positioned in a loosely arranged cluster, each appearing to observe an unseen event beyond the picture plane. Its compact size and sketch-like quality suggest it functioned as a preparatory study rather than a finished piece.

Subject & Meaning

The scene captures a moment of collective attention as the figures look upward toward an implied ascent, perhaps a religious or mythological occurrence. Their stiff, formal postures, arms raised, hands clasped, bodies inclined, convey a sense of reverence and anticipation. The central figure’s grasp of a small object may hint at a narrative detail that the artist intended to develop further in a larger composition.

Technique & Style

Employing quick, light strokes, Creti layered brown ink atop graphite underdrawings, allowing the initial sketch to remain visible through the final marks. The lines are fluid yet tentative, revealing an exploratory approach to pose and movement. The rendering reflects the Bolognese academic tradition, balancing Rococo decorative gestures with a nascent neoclassical clarity, evident in the crisp modeling of the figures despite the overall sketchy execution.

History & Provenance

Donato Creti, an early‑18th‑century painter active in Bologna, produced this drawing as part of his preparatory process for larger narrative works. While the exact commission remains undocumented, the piece aligns with Creti’s known practice of creating detailed studies before executing complex compositions. The drawing has survived in paper form, preserving the artist’s initial ideas and offering insight into his workshop methods during a period of stylistic transition in Italian art.