Artwork
Four Angels Holding Back the Winds
Four Angels Holding Back the Winds is an ink print by the Renaissance artist Jean Duvet. It dates from 1551 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:"IOHA / NNES / DV / VET / FAC" recto, on plate, on double-tablet at lower right. "HIST / CAP 7 / APOC" recto, on plate, on plaque at upper left. "No. 17. P505." recto, lower right margin, graphite, unknown hand. "11" recto, lower center margin, black ink, unknown hand. "11" [illeg?] recto, lower left margin, black ink, unknown hand.
- Markings
- Marked:"National Gallery of Art" verso, lower right margin, black stamped ink.
About this work
Overview
Created in 1551, Four Angels Holding Back the Winds is an engraving executed on laid paper by the French artist Jean Duvet. The work presents four winged figures positioned at the cardinal points, each grasping an unseen rope as if restraining a force beyond view. Dense clusters of clouds and distant architectural silhouettes fill the composition, giving the scene a sense of tension and movement.
Subject & Meaning
The engraving depicts four angels stationed at the four corners of the world, their outstretched hands gripping ropes that suggest an effort to hold back a storm or wind. The inclusion of minute clouds and far‑off buildings reinforces the idea of a cosmic struggle, while the angels’ strained postures convey both strength and anxiety, inviting contemplation of divine intervention against natural chaos.
Technique & Style
Duvet employs intricate cross‑hatching to render tonal variation, layering fine lines to achieve depth and contrast. The dense network of strokes creates a busy, almost turbulent surface that mirrors the subject’s tension. His handling of line is notably vigorous, producing a naive yet expressive quality that distinguishes his work from the more polished prints of his contemporaries.
History & Provenance
Jean Duvet, recognized as the first major French printmaker, produced roughly 73 documented plates, many of which explore intense religious themes. This engraving belongs to the middle period of his career, reflecting his personal style that diverged from the prevailing Renaissance norms. The piece has survived in several collections, attesting to Duvet’s lasting influence on French engraving.
Context
The print emerges from a 16th‑century French artistic environment where religious imagery was prevalent amid the Reformation’s upheavals. Duvet’s work, with its crowded compositions and emotive intensity, aligns with the era’s devotional fervor while also anticipating later, more individualistic approaches to printmaking.
Own this work as a print
Artist & collection
Artist
Jean Duvet (1485 – after 1562) was a French Renaissance goldsmith and engraver, now best known for his engravings.
