Who painted Album of Miscellaneous Subjects, Leaf 3?

Album of Miscellaneous Subjects, Leaf 3 was painted by Fan Qi in 1662-01-01.

Where can I see Album of Miscellaneous Subjects, Leaf 3?

Album of Miscellaneous Subjects, Leaf 3 is held by Cleveland Museum of Art.

What movement is Album of Miscellaneous Subjects, Leaf 3?

Album of Miscellaneous Subjects, Leaf 3 is associated with Chinese Orthodox School.

Artwork

Album of Miscellaneous Subjects, Leaf 3

Fan Qi , 1662

Album of Miscellaneous Subjects, Leaf 3 is an unspecified painting by the Chinese Orthodox School artist Fan Qi. It dates from 1662 and is held in the collection of the Cleveland Museum of Art.

About this work

History & Provenance

Album of Miscellaneous Subjects, Leaf 3 is held in the collection of the Cleveland Museum of Art, where it bears the accession number 1975.

The Album of Miscellaneous Subjects, Leaf 3 was painted by the Chinese artist Fan Qi in 1662, likely while he was working in China. After its creation the leaf entered the holdings of the Cleveland Museum of Art, where it is recorded under accession number 1975.22.3. The sources provide no further details about earlier owners, commissions, or subsequent transfers, so the known provenance traces the work from Fan Qi’s studio to its current place in the museum’s collection.

Album of Miscellaneous Subjects, Leaf 3 is held in the collection of the Cleveland Museum of Art, where it bears the accession number 1975.22.3. The painting was produced in China in 1662 by Fan Qi. No exhibition history is documented in the available sources.

The accession number indicates the work entered the museum's holdings in 1975, though the specific circumstances of its acquisition are not detailed in the provided records.

Overview

Album of Miscellaneous Subjects, Leaf 3 is a small painting executed by the Qing‑dynasty artist Fan Qi in 1662. The work is part of the museum’s collection and is displayed at the Cleveland Museum of Art. It presents a tranquil, lightly rendered landscape that invites quiet contemplation.

Subject & Meaning

The composition depicts a gentle mountain setting where a winding path traverses rolling hills toward a modest bridge spanning a concealed stream. A solitary figure stands at the water’s edge, suggesting a moment of pause within an otherwise uninhabited natural scene. The subdued palette and sparse activity convey a sense of serenity and introspection.

Technique & Style

Fan Qi employs a loose, sketch‑like brushstroke, allowing the ink to suggest forms rather than define them precisely. Large expanses of untouched paper create a feeling of openness, while the faint washes of muted colour give the landscape an airy quality. The overall effect is one of minimal intervention, emphasizing atmosphere over detail.