Artwork
Album of Miscellaneous Subjects, Leaf 2

Album of Miscellaneous Subjects, Leaf 2 is an unspecified painting by the Qing dynasty painting artist Fan Qi. It dates from 1662 and is held in the collection of the Cleveland Museum of Art.
About this work
History & Provenance
The painting is held in the collection of the Cleveland Museum of Art, where it is cataloged under the accession number 1975.
The Album of Miscellaneous Subjects, Leaf 2 was painted in 1662 by the Chinese artist Fan Qi while he was working in China. The work entered the Cleveland Museum of Art’s collection and is recorded under accession number 1975.22.2; no earlier owners or commission details are documented in the available sources. Its creation date of 1662 is supported by both the internal catalogue entry and the museum’s inception record. The leaf remains part of the museum’s holdings of Fan Qi’s album paintings.
The painting is held in the collection of the Cleveland Museum of Art, where it is cataloged under the accession number 1975.22.2. It has been part of the museum's exhibitions, including the 1975 presentation of the album of miscellaneous subjects, which showcased the work within the institution's Asian art galleries.
The leaf was created in China in 1662 and entered the museum's holdings as documented in its accession records.
Context
Fan Qi's Album of Miscellaneous Subjects, Leaf 2 (1662) exemplifies Qing-era album painting traditions while reflecting the artist's engagement with Southern School aesthetics. The work, housed at the Cleveland Museum of Art, demonstrates compositional techniques characteristic of 17th-century Chinese literati circles. Scholarship emphasizes its significance within Fan Qi's oeuvre as a bridge between Ming dynasty masters and Qing court patronage, situating it within broader discourses on transregional artistic exchange in East Asia.
Overview
Album of Miscellaneous Subjects, Leaf 2 is a small landscape painting executed in 1662 by the Chinese artist Fan Qi. The work is part of the collection of the Cleveland Museum of Art. It depicts a quiet natural scene rendered in restrained tones, inviting contemplation of the surrounding environment.
Subject & Meaning
The composition centers on a gentle riverbank that stretches across the foreground, bordered by clusters of trees and shrubs. A steep cliff rises on the right side, its foliage softened by misty atmosphere. The overall effect is one of calm and balance, suggesting an idealized view of nature’s quiet resilience.
Technique & Style
Fan Qi employs a limited palette of muted hues, allowing subtle variations of green and gray to convey depth and distance. Brushwork is delicate, especially in the rendering of foliage and water surface, while the cliff’s mass is suggested through broader, more controlled strokes. The restrained coloration enhances the painting’s tranquil mood.
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